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...with potential military uses. But with the exception of the South African ban, there are no regulations preventing the sale of relational-data- base systems to countries that lack basic constitutional safeguards. "The U.S. claims to have a role as the moral leader in protecting freedom and democracy," complains Marc Rotenberg, Washington director of Computer Professionals for Social Responsibility. "But we are becoming surveillance- technology merchants to the world...

Author: /time Magazine | Title: Peddling Big Brother | 6/24/1991 | See Source »

...scouting missions in 72 cities before making a peep. Sure enough, when word got out in January that the company had narrowed its choices to Tampa and Columbus, Salomon was besieged with promoters. Tampa offered Super Bowl tickets; Columbus brandished seats for the Final Four. Says Salomon managing director Marc Sternfeld: "I heard from every personality in Florida and Ohio...

Author: /time Magazine | Title: Come On Down! Fast! | 5/27/1991 | See Source »

...Look at Kendall Square. It's one of the few places in real estate market that's doing well," President of the Massachusetts Biotechnology Council, Marc E. Goldberg '79 says, pointing to the area in the vicinity of MIT where many Cambridge biotech companies are clustered...

Author: By June Shih, | Title: City Biotech Firms Ignore Recession | 5/15/1991 | See Source »

...vagrants, Vladimir (Marc Jones) and Estragon (Dave Ardell), pass the time near a tree by the side of a country road, waiting for Godot. The reason for the appointment is never given. A passerby named Pozzo (Philip Munger) eventually strolls by with Lucky (Mark Fish), his slave. Later a boy enters to relay the message that Godot will come tomorrow, "Tomorrow" is the second act, but Godot never arrives...

Author: By Carey Monserrate, | Title: This Play Keeps Us Waiting | 4/25/1991 | See Source »

...Cabot Underground Theatre presents tremendous difficulties for lighting and set designers, since it is essentially a basement with low ceilings and no stage. As a result, Mike Hill's lighting for Godot is pretty poor. Production staffer Marc Friedman built an unremarkable set, consisting of little more than objects arranged to conceal the pillars of the basement. Although the spartan set conforms to Beckett's stage directions, it contributes little to the production. The costumes are also adequate but merit no special attention...

Author: By Carey Monserrate, | Title: This Play Keeps Us Waiting | 4/25/1991 | See Source »

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