Word: marcello
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...their fate into their own hands. The director raises all of the right questions about working class militancy--the problems of racism, sexism, and sectional divisions within the working class; the limits of union activity; the position of intellectuals in the labor movement--without suggesting there are easy answers. Marcello Mastroianni presents a magnificent protrait of the ambivalent situation of the radical intellectual who has given his whole life to the movement as an organizer, but whose committment is to some extent egotistical and at the expense other committments. The film concludes on a pessimistic rather than a romantic note...
...aging, disreputable and thoroughly disagreeable architect is done in, bludgeoned to death with a stone phallus. Almost everyone questioned by Inspector Santamaria (Marcello Mastroianni) has a fair disposition for murder and a shaky alibi. Nobody liked the recently deceased much, but snobbism is an unpersuasive reason for murder. The inspector, then, must search out not only a culprit but a motive...
Busch Reisinger Museum--29 Kirkland St., Cambridge--noon--James Johnson, organ--program of Bach, Mozart, Marcello. Info...
...movie theaters round the country the most talked-about new film is Todo Modo (In Every Way), a surrealistic thriller built around a savage portrayal of the Christian Democratic leadership, including Aldo Moro, the country's Premier. In one scene, Marcello Mastroianni, playing a satanic priest, conducts a doom-laden spiritual retreat for the Christian Democratic chiefs, and snarls at them: "After 30 years in power, how much longer do you really think you have? You are all dead, can't you understand? Dead...
...nation which had suffered for 48 years under fascism. Fittingly, the song was the signal for those army officers--mainly captains and majors--committed to the cause of a socialist and democratic Portugal to take command of key military and government installations, and to overthrow the regime of President Marcello Caetano. "Grandola" was played and sung by the Portuguese many times in the days following the coup. It expressed better than any party or government's program the motives that impelled massive redistribution from big landowners to the laborers who worked the estates and that eventually brought about the nationalizations...