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Word: marc (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Three of the divers were from Harvard: Marc J. Tolkoff '70, Martin W. De-Vries '70, and Barry Allen of the Design School...

Author: NO WRITER ATTRIBUTED | Title: Undergrad Designs Plastic Bubble For Cheap Undersea Observation | 10/14/1969 | See Source »

...extraordinary nature of the war makes it an issue on which the Faculty should take an official stand. Mendelsohn and other speakers described the effects of the war on the nation and on Harvard. Marc Roberts '64, assistant professor of Economics, said that "the Faculty must stand for some things." If the war does not present "sufficient moral issues to prompt our action, then such moral issues do not exist." he said...

Author: By James M. Fallows, | Title: Faculty Officially Condemns War, Passes Altered Moratorium Motion | 10/8/1969 | See Source »

...look soigné, and Carven's "Ma Fille" collection puts mothers and daughters into matching, high-style camaraderie. Jacques Esterel's "négligé snob" would get father and son in the act, too, with everyone wearing identical family jerseys. And then there is Marc Bohan's "Baby Dior" line. It's not every two-year-old who can wear (or whose parents can afford) a white lace dress costing $100, or a white rabbit coat...

Author: /time Magazine | Title: Modern Living: Chic 'n' Little | 10/3/1969 | See Source »

...besides Catherine Glenn. A guy in his thirties came up to me and said, "Hi, are you going to be living here?" With great effort I pulled a voice out of myself: "Yes, yes I guess so." He sort of smiled and shook my hand. "My name is Marc." I said "I'm Ken," and walked away, feeling very bad about...

Author: NO WRITER ATTRIBUTED | Title: Three Days in a Mental Hospital | 9/25/1969 | See Source »

...equal energy throughout his entire symphonic cycle. His dramatic frescoes are now disconsolate, now ebullient, momentarily morose, exploding with dance, suddenly peaceful, dreaming. The First Symphony furnishers a splendid example of his multitudinous and mercurial temperament. It is a sepulchral, reflective, affirmative, anguished sunlit work composed of Waltz, song, marc, and chorale. The earliest critics heard in it only a concertinos, amorphous confusion, when in fact it is the employment of the disparate images simultaneously resident in man's psychological existence tat informs the work with the sophistication which, if misjudged, seems like chaos. The first movement portrays the awakening...

Author: By Chris Rochester, | Title: Gustav Mahler | 8/19/1969 | See Source »

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