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Though this film's Van Helsing (lank, loopy Peter Fonda) sleeps inside a grand piano, Nadja is a fairly close reading of the Stoker tale. What distinguishes it is its serenely mannerist glamour. Almereyda shot parts in glorious "Pixelvision"--with a toy camera that gives the most garish images the patina of a dreamscape. Nadja is beyond a midnight movie; it's a late late show for the artistic couch potato...

Author: /time Magazine | Title: CINEMA: THE INDIE 500 | 8/28/1995 | See Source »

...well; he had worked on their turf, in Parma, before coming to Rome. It was, however, Caravaggio, the tragic realist, with his dramatically articulate figures sculpted by darkness, his appetite for common life and his candor about the apprehensible world, who had blown away the mincing academism of late mannerist art and shown the way forward to a whole generation of younger European painters, of whom Ribera was the most gifted...

Author: /time Magazine | Title: Art: Baroque Futurist | 10/12/1992 | See Source »

...haberdashery of bizarre incidents on the merest hook of plot -- are apparent. You might go, "Ick!" but you won't ask, "Huh?" What's lacking is the old sense of delicious, disturbing mystery. Wild at Heart reveals a master of movie style on his way to becoming a mannerist...

Author: /time Magazine | Title: Cinema: Wizard Of Odd | 8/20/1990 | See Source »

...These bearded, stumbling palookas in their peasants' breeches, crushed by the fall of rocks and masonry, are done with literally colossal gusto. The whole windowless chamber seems ready, for a moment, to totter and fall on your head. No room in Italy gives you a clearer sense of the mannerist delight in bizarre illusion. If one could imagine a halfway point between Michelangelo's Sistine Chapel frescoes and the gee-whiz delights of Walt Disney, this would...

Author: /time Magazine | Title: Art: Between The Sistine, And Disney | 11/6/1989 | See Source »

...them fairly, since he destroyed so much of his early work "to get all that modernist dirt out of my system." But it was abstraction that underwrote the system of Benton's later figurative paintings -- an abstraction based on bulging, serpentine figures derived from Michelangelo. From him, and from mannerist sources like Luca Cambiaso's block figures and El Greco's twisty saints, Benton assembled the theory of kinetic composition that would eventually alter the walls of the Midwest. It would alter abstract painting itself, since his preoccupation with surge and flow got across to Pollock and, much etherealized...

Author: /time Magazine | Title: Art: Tarted Up Till the Eye Cries Uncle | 5/1/1989 | See Source »

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