Word: manned
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Dates: during 1950-1959
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...Half our lives,'' says Broadway Producer David Merrick (Fanny, La Plume de Ma Tante), "depend on a good review from Atkinson." Says Producer Alfred de Liagre Jr. (J.B.): "In terms of influence, Brooks is worth any four of the other critics." These awed testimonials go to a man who shifts uneasily beneath the burden of his influence ("Power bothers me; I'd rather not have it"), and who says he got into drama criticism for purely mercenary considerations: "I got interested in the theater mainly, I'm afraid, because you got free tickets when you wrote...
Allegiance to the Theatergoer. A reporter at heart, he has always felt a stronger allegiance to the theatergoer than to the theater. A man of many interests, he has published seven books, mostly collections of casual, contemplative essays, is a chronic bird watcher and boat watcher, a part-time farmer (he owns 153 acres in Durham, N.Y.), and an amateur woodworker. When World War II broke out, he insisted that the Times send him abroad as a correspondent, spent two years in China, followed that up with a ten-month reportorial stint in Moscow that won him a Pulitzer Prize...
...Under our doctrine of 'objectivity.' what a man says is news whether or not it happens to be true. When Senator McCarthy made wild charges, we blew them up-even after we knew them to be untrue...
...Eight hours of Orff is simply too much!" The speaker, a tall, lank-haired man in tweed jacket and maroon wool shirt, was none other than rehearsal-weary Carl Orff, Germany's most famed modern composer. Hours, or even minutes, of Orff have indeed often proved too much for some tradition-minded audiences in Europe and the U.S. But last week crowds were thronging to the Stuttgart Opera House for a solid week of Composer Orff's works, including his latest: Oedipus der Tyrann, a highly individual dissertation on the Sophocles tragedy...
...conductor, seated at the Baldwin in Manhattan's Carnegie Hall, looked at the greying, dignified man on his left and the professional fellow in horn-rimmed glasses on his right, both seated at Stein-ways. Then Leonard Bernstein launched his assembled forces into Bach's Concerto in C for Three Pianos. A part of last week's special Bach Christmas program by the New York Philharmonic, the concerto was ably executed, drew enthusiastic applause and an extra bow by the performers. The odd thing about the performance: Bernstein's fellow pianists had never before played...