Search Details

Word: manhattanized (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
Sort By: most recent first (reverse)


Usage:

...homely Methodist Church on Manhattan's upper west side, audiences of homely Christians listened quietly last week to the warm words of an oldtimer evangelist. "Gypsy" Rodney Smith had visited the U. S. 35 times in the past half-century, but this visit was different. He had been hired this time by the Greater New York Federation of Churches to do something about New York City's 4,000,000 pagans...

Author: /time Magazine | Title: RELIGION: For Pagans | 11/20/1939 | See Source »

While the audience in Manhattan's Metropolitan Opera House waited & waited for the curtain to rise, they whiled away the time by reading in their programs an apologia-by Surrealist Salvador Dali himself-for the surrealist ballet they were about...

Author: /time Magazine | Title: MUSIC: Krafft-Ebing Follies | 11/20/1939 | See Source »

Last week when Marcel Tabuteau sat out in front of the orchestra at a Manhattan concert and soloed in Mozart's Quartet in F Major for Oboe and Strings, hard-boiled critics threw kisses at the ceiling, and at the end of the first movement the audience cheered. Marcel Tabuteau grinned uneasily, but he did not rise to acknowledge the applause. When it was all over he boosted himself out of his chair and hobbled off the stage. Marcel Tabuteau had the gout. For two weeks, on tour, he had been traveling in wheel chairs, ambulances, on crutches...

Author: /time Magazine | Title: Music: A Little Garlic | 11/20/1939 | See Source »

...close to 200 performances or better. Two won the Pulitzer Prize. Twenty were sold to the movies for a total of over $1,500,000. Further, Kaufman ranks as one of the best directors in show business, and off the stage as well as on, as one of Manhattan's greatest wits. Once, just for the hell of it, he wrote a play all by himself-and that...

Author: /time Magazine | Title: The Theatre: Past Master | 11/20/1939 | See Source »

Take. As a playwright, Kaufman has been the biggest money-maker in the contemporary U. S. theatre. His share in his movie sales alone comes close to $400,000. His biggest hit, You Can't Take It With You, grossed around $2,000,000 in Manhattan and on tour, showed almost $1,000,000 clear profit. Since Kaufman has a cut in his shows as well as royalties from them, he has made a small fortune on hit after hit. There have been lean seasons, even bad ones. But in a big year he makes easily...

Author: /time Magazine | Title: The Theatre: Past Master | 11/20/1939 | See Source »

First | Previous | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | Next | Last