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...before she became a fixture among cinephiles in Berkeley, California, where her criticism appeared in the form of program notes, radio reviews, screeds in the local film magazine. She couldn't have been further out of the loop -- the double helix, really, that embraced Hollywood movies and Manhattan media -- so she devised a piquant strategy for being heard: she would go to a movie and review the audience. Sometimes she'd review the reviewers, a tactic that led to slams on the New York Times' Bosley Crowther and epochal tussles over the auteur theory with the Village Voice's Andrew...

Author: /time Magazine | Title: BOOKS: That Wild Old Woman | 11/7/1994 | See Source »

...Bullets Over Broadway" is an entertaining picture and a light one, as was "Manhattan Murder Mystery," and probably the best sort of film Allen can make at this point in his career. Gone, at least for now, is the free rein we gave him to try weightier things, lost in a flurry of well-publicized scandal. Watching "Husbands and Wives" was alternately painful for those of us who were unable to forget how miserable he seemed going to court or defending himself publicly, or infuriating for others who saw him as a creep who had gone too far. The spectacle...

Author: By Daniel N. Halpern, | Title: Biting the Woody 'Bullets' | 11/3/1994 | See Source »

...pleasantly distracting as it is, however, "Bullets Over Broadway" cannot escape the mark of Allen's touch. If his philosophical bent is subdued, his style is not: Cusack bumbles about for much of the picture looking as if he is the slightly stilted son of Fielding Mellish. And, like "Manhattan Murder Mystery," "Bullets Over Broadway" ultimately can't help submitting to Allen's hopeful vision that love can work, that love should work. This vision, of course, must be Woody Allen's; it must be Woody Allen's plea...

Author: By Daniel N. Halpern, | Title: Biting the Woody 'Bullets' | 11/3/1994 | See Source »

Unlike Roiphe and Wurtzel, Stone has taken a long, healthy break from Harvard since she graduated from Adams House in 1985. She steered clear of both the sheltered world of academia and of the Manhattan rat-race, sucking up to few trends and pandering to no one. She had no real tunnel vision of her career; she only knew that when she graduated from Harvard she wanted to live in Latin America and/or be involved with filmmaking. Neither of those followed directly from her academic work at Harvard: she concentrated in social studies and wrote her thesis on working women...

Author: By Mimi N. Schultz, | Title: Alice Stone Rides Like the Wind | 10/27/1994 | See Source »

After solidifying film connections in Mexico, she headed to New York to try her luck in the now-ballooning world of filmmaking. She worked a graveyard shift as a legal proof-reader on Wall Street, an occupation apparently popular with the starving artists of Manhattan. During this period that she got lucky when she came across a flyer advertising help wanted for Jonathan Demme's Swimming to Cambodia; she took a volunteer position on the editing squad. Demme obviously recognized her talent, because not long after he selected her as assistant editor for "Silence of the Lambs." Her experience impressed...

Author: By Mimi N. Schultz, | Title: Alice Stone Rides Like the Wind | 10/27/1994 | See Source »

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