Word: manet
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...Western section is made up principally of paintings, examples of sculpture being confined to very small pieces. The most colorful pictures seem to be those done in the 19th century by such artists as David, Delacroix, and Manet. Only one contemporary work is shown, a picture of two horses by Chirico which almost seems to be a reversion to the primitive style of the East. Represented also are paintings and drawings by Albrecht Durer, Sassetta, Leonardi da Vinci, Rubens, and Goya. From the 19th and 20th centuries come Daumer, Stubbs, and Degas...
...stunning show of the year. Arranged by a long list of socialite sponsors for the benefit of the public Education Association of New York, it was correctly entitled "Great Portraits from Impressionism to Modernism." In the lofty, skylit galleries of Wildenstein & Co. visitors saw 48 selected masterpieces by Cezanne, Manet, Renoir, Gauguin, van Gogh, Toulouse-Lautrec, Degas, Marie Laurencin, Matisse, Derain, Pascin, Picasso, Modigliani. Visitors who regarded any of these reputations as unfounded were quickly disabused...
Edgar Degas lived to be 83, grew to be as cantankerous as Whistler, morbidly jealous of the success of younger men, but in his younger days the suave and sociable Manet was one of his best friends. Because of this friendship Degas, already an established artist, showed his pictures in the famed first exhibition of the Impressionists in 1874, was infuriated for the rest of his life when critics continued to call him an Impressionist. Painting outdoors gave him a cold in the head. He could not understand the experiments with broken light of Monet and Pissarro. All Degas...
...good fortune this year in picking up Le Linge, a splendid Manet, and two very important Cezannes, The Drinker and The Woodchopper which had been held in a private collection in Switzerland, and I have four Matisse interiors, new ones. It's an amazing thing about Matisse. He's getting on in years, you know, and everyone thought he had shot his bolt in art. He's 67 or 68 years old and he hadn't shown anything in two years. But this year he had a show in Paris that would knock your...
Painting hard, occasionally exhibiting, Camille Pissarro soon joined a group of artists including Manet, Monet, Degas, Renoir, Cezanne and Sisley who used to meet at a café known as Le Guerbois, on the Avenue de Clichy. In the oceans of talk at that café, the group gradually evolved theories of painting. They wanted to paint light, and they wanted to throw aside the moldy palette of the Academicians for pure tones, yellows, vermilions, emerald-greens. The friends of the café Guerbois had no name for them selves until April 15, 1874 when the Photographer Nadar lent them...