Word: manet
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...manifestations of the revival are all about. The CRIMSON gives a typical sample by insisting that we need creative artists in Cambridge if the academic community is to remain healthy. A resident artist asserts that summa cum laude in Fine Arts should mean more than telling Monet from Manet. An English professor says that the study of English letters requires participation as well as observation...
...Manhattanites who turned out at the opening of a brand-new gallery last week, the big show was not the paintings (a 100-year retrospective from Manet and Monet to Picasso and Pollock), but the gallery itself-a gleaming interior of sculptured white plaster, marble and aluminum in which walls seemed to flow, stairs to float. Ceilings billowed to house controlled artificial light, and even the floor, covered with a luxurious wool carpeting, at one point suddenly lapped over on itself to become a bench...
...greatest of the surrealists," is the title leading French Critic Claude Roger-Marx has bestowed posthumously on Odilon Redon, the strange, self-effacing painter of dreams and visions who so perplexed his 19th century impressionist colleagues. Although he was a contemporary of such greats as Manet, Monet, Renoir and Cézanne, Redon was out of step with his generation. He set out on his own path, investigated what lay in and behind the shadows that the sun-struck painters of his day chose to ignore...
...with all the enthusiasm of his age, disdaining preliminary sketches in favor of a bold, direct approach with brushes loaded with paint. In later ages, the elegant powdered peruke of the 18th century looked askance at Hals's clearly visible brush strokes. But French 19th Century Painter Edouard Manet grasped Hals's secret of laying colors side by side, used it for his own bold compositions and made the technique a cornerstone of French impressionism...
This was our first really close look at the dancers. Only one of the men looked frail and particularly feminine, the others were slight but athletic. Their faces were chiselled. I thought of the sketch of Kirkegaard by Manet with its Nordic impishness. The women were lovely, budding, blossoming and fading with each costume change. Against the gossamer of the skirts were beautifully developed supple legs...