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...Intermezzo is a concert rarity never before recorded. It is dreamy, emotionally vague and inconsequential. His piano and cello Sonata No. 1 in D Minor is another matter. Here Cellist Solow gets the chance to display his flawless intonation and generous technique as the cello imitates a guitar, flute, mandolin and tambourine. The Saint-Säens C Minor Sonata is a work of contrasts and Pianist Vallecillo masters both its turbulent and serene passages. If this LP serves as an indicator of Desmar's artistic and recording quality, its future should be cheerful...

Author: /time Magazine | Title: Music: Classical Records | 2/23/1976 | See Source »

...after hearing his Symphony C performed for a bewildered but appreciative audience at the University of Iowa. The avant-garde composition began "as an English dance rhapsody and developed into a symphony more or less against my will," explained Burgess. Its finale is "corny, full of schmalz, with a mandolin tinkling away in the background," and at the end "the orchestra plays a single fortissimo chord of C major and everybody goes off for a drink." The music's mystery may be rooted in its unusual creation. Burgess, 58, wrote at least half of his symphony while...

Author: /time Magazine | Title: People, Nov. 3, 1975 | 11/3/1975 | See Source »

...head bobs from side to side: his eyebrows leap up and down; his hips grind rhythmically; his foot stomps and his facial expressions never stop changing. If he's not accompanying himself with his Mississippi National steel-bodied acoustic guitar, then he'll play the piano or banjo or mandolin of kalimba or maracas or Spirit of '76 Fife. His raspy voice sometimes turns lyrics into a stammer reminiscent of Otis Redding. At other times, words are replaced altogether by suggestive mumbles or a bent guitar note accompanied by a telling smile. And most of the time, his audience...

Author: By Joy Horowitz, | Title: A Touch Of Taj | 3/13/1975 | See Source »

When Warners first signed Cooder five years ago, he had worked as a session man around Los Angeles and with the Rolling Stones in England. His dexterous rhythm work on guitar and mandolin had won him a reputation as a good musician who could juice up anyone's record, and he played behind everyone from Captain Beefheart and the Everly Brothers to Paul Anka. His work on the sound track of 1970's Performance, a movie of scattershot brilliance about a gangster and a rock star, further keyed up interest in Cooder's own album debut...

Author: /time Magazine | Title: Music: The Wizard of Slide | 10/21/1974 | See Source »

...Bluegrass Boys are picking Tuesday night at Passims. They begin at 8:30 and for two dollars, it seems you can stay for both sets. They feature a guitar, mandolin, banjo and stand-up bass, though no fiddle...

Author: NO WRITER ATTRIBUTED | Title: MUSIC | 8/6/1974 | See Source »

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