Word: mandolin
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Dates: during 1970-1979
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...head bobs from side to side: his eyebrows leap up and down; his hips grind rhythmically; his foot stomps and his facial expressions never stop changing. If he's not accompanying himself with his Mississippi National steel-bodied acoustic guitar, then he'll play the piano or banjo or mandolin of kalimba or maracas or Spirit of '76 Fife. His raspy voice sometimes turns lyrics into a stammer reminiscent of Otis Redding. At other times, words are replaced altogether by suggestive mumbles or a bent guitar note accompanied by a telling smile. And most of the time, his audience...
When Warners first signed Cooder five years ago, he had worked as a session man around Los Angeles and with the Rolling Stones in England. His dexterous rhythm work on guitar and mandolin had won him a reputation as a good musician who could juice up anyone's record, and he played behind everyone from Captain Beefheart and the Everly Brothers to Paul Anka. His work on the sound track of 1970's Performance, a movie of scattershot brilliance about a gangster and a rock star, further keyed up interest in Cooder's own album debut...
...Bluegrass Boys are picking Tuesday night at Passims. They begin at 8:30 and for two dollars, it seems you can stay for both sets. They feature a guitar, mandolin, banjo and stand-up bass, though no fiddle...
...entertainer. To pick my favorite cut on this album would be absolutely impossible. The title song and "Jugband Song" show off Bromberg's sense of humor both in performing and writing. Some Irish fiddle tunes and "Sugar in the Gourd" give him a chance to display his guitar and mandolin-playing talents. His "Tennessee Waltz" is as kind to the old standard as any singer's rendition could be, and his version of "Mr. Bojangles"--half-singing, half-storytelling--is the first genuinely moving version of this ballad I've heard since Jerry Jeff Walker's original. There are probably...
...versality of the group members, especially Chris Hunt (who plays mandolin, bass, electric lead, acoustic, and piano) reveals some of the latent talent of the group. Wayne Lipton's cello is a distinguishing factor in the group's overall sound and is employed with stunning effectiveness to counterpoint the guitar work. Particularly in Hunt's Desert Bones are both instruments combined in a tight-woven harmony with Lipton's cello providing an eerie backdrop for the song's haunting lyrics...