Word: man
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Dates: during 1990-1999
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...ahimsa (the love that remains when all thoughts of violence are dispelled). They formed the basis for civil disobedience and nonviolent resistance. "Nonviolence is the greatest force at the disposal of mankind," he said. "It is mightier than the mightiest weapon of destruction devised by the ingenuity of man...
Unlike the avuncular caricature of his later years who left his hair unshorn, helped little girls with their math homework and was a soft touch for almost any worthy cause, Einstein is emerging from these documents as a man whose unsettled private life contrasts sharply with his serene contemplation of the universe. He could be alternately warmhearted and cold; a doting father, yet aloof; an understanding, if difficult, mate, but also an egregious flirt. "Deeply and passionately [concerned] with the fate of every stranger," wrote his friend and biographer Philipp Frank, he "immediately withdrew into his shell" when relations became...
...favorite target. Nazis, however, weren't his only foes. For Stalinists, relativity represented rampant capitalist individualism; for some churchmen, it meant ungodly atheism, even though Einstein, who had an impersonal Spinozan view of God, often spoke about trying to understand how the Lord (der Alte, or the Old Man) shaped the universe...
...really in pretty bad shape." Rather it seems to him that Einstein's humane and democratic instincts are "an ideal political model for the 21st century," embodying the very best of this century as well as our highest hopes for the next. What more could we ask of a man to personify the past 100 years...
Relativism brought the underground man into his own--in Europe, with Dostoyevsky, Kafka, Beckett, Aichinger, Sartre, Mann and Pirandello; in America with Fitzgerald, Hemingway, Ellison, Capote and Salinger. The antihero, too, searched for unified meaning, but the narrative that held him was all about divisions, schisms and self-inspection. He sought to be by himself, like a god. In Robert Musil's The Man Without Qualities and Richard Wright's The Outsider, protagonists become serial killers out of the desire to be alone...