Word: makeing
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Dates: during 1950-1950
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Besides the money raised for the foster child, the freshmen hope to make their first annual $100 deposit in their savings account...
...written a novel, Signed with Their Honor (TIME, Oct. 5, 1942), which was clumsy fiction and embarrassingly indebted to Hemingway, but good reporting about war in the air. His second novel, The Sea Eagle, made it plain that not even the most studious aping of Hemingway was enough to make a novelist out of a newspaperman. With The Diplomat, it should by now be obvious even to his publishers that Author Aldridge ought to get back to straight reporting...
...influence both the Harvard ticket distribution system and Symphony Hall to allow a fair number of students to hear these concerts is the Music department. This department should use its influence to have Symphony Hall request its Cambridge customers to subscribe to a regular Boston series--it should make little difference to most of them. Then, the department should insist on a redistribution of the tickets at the disposal of the University so that a reasonable number of students can get into concerts which were partially designed for their enjoyment and education...
...present tenant at the Kenmore, Verdi's "Rigoletto," was filmed entirely on the stage of the Rome Opera House with singers recruited from La Seals. There has been no attempt to make it anything more than a celluloid recording of a performance. No dialogue has been added (and subtitling the arias would be to no one's good). For those patrons unfamiliar with the Victor Hugo story, there is a vastly confusing precis of each act written on the screen before each curtain-rise...
Though "Rigoletto" is irritating for its failure to make use of the latitude the cinema offers, it is nevertheless a film no opera-lover should miss. Both vocally and dramatically, it is doubtful if a better "Rigoletto" could be arranged. Tito Gobbi, in the title role, is likely to make a lasting impression on the spectator. In both his sound and his fury, he is a thrill to hear and see. All of the other parts are well done; notably Anna Maria Canali as Maddalena and Marcella Govini as Gilda. I feared for a while that Miss Govini...