Word: make
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Dates: during 1950-1950
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...death, and make the world go round, they tell...
...singers did their best to make up for all that. For U.S.-trained Astrid Varnay, The Dutchman was a chance to prove again that she really belongs at the top, and opulent-voiced Soprano Varnay (as Senta) proved it. For German Baritone Hans Hotter, 41 (the Dutchman), it was a brilliant debut. A onetime choir director with a big, barreling but expressive voice, huge (6 ft. 4, 223 Ibs.), handsome Baritone Hotter filled the stage, both vocally and visually...
Despair & Hope. The people in Fry's plays rarely make a flat statement; they prefer parabolas or pictures in the air. A young girl, instead of saying that she dislikes a suitor, says, "Humphrey's a winter in my head." And the suitor, seeing the kind of girl he's up against, does not say straight out that he wants to hug her because she's so pretty he can't help it; instead he says...
...Britain. He converted his tough sergeant to Shakespeare and occasionally awed him, when he gave what Fry considered unreasonable orders, with a geyser of Falstaffian curses. After war's end, his Phoenix ran for 64 performances in London's West End. Wrote one critic: "Mr. Fry could make a ghoul laugh ... He gets more cheerfulness out of coffins than most people would from the abolition of bread rationing...
...Odets temporizes as well as blunders. Beset by the problem of having to make the play run till 11 o'clock and of wanting to make it run till June, he stages a double retreat from life into show business, filling out the play with colorful backstage detail, phonying it up with facile on-stage emotions. His talent is-flawing again, but from a faucet in dire need of a filter, 'it is depressing to find so much shoddy in a play that can here & there merge deep compassion with burning anger...