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Dunster owns 6 pianos, Currier 12, South 14, and North 18. Residents Yo-Yo Ma and Lynn Chang perform regular Quad concerts with the likes of Richard Kogan, Sheila Reinhold, and Lydia Artimiy. Of course, South has the college's only musical Master, Rulan Pian...

Author: NO WRITER ATTRIBUTED | Title: THE QUAD | 3/8/1976 | See Source »

...happening, I see the humor of it all," Larry tells Sarah after his mother's first visit to his Village apartment. And when he heads out for ultimate success on Sunset Boulevard, the tenderest thing he can tell his tearful Mama is "You're a funny lady, Ma." Larry did not need New York to corrupt him; detachment and glib posturing must have come easily to him even before he bought his first authentic-looking French beret. Still, the image would be all right if Mazursky did not spoil the effect by having his mother reply, "My life...

Author: By Diane Sherlock, | Title: A New York City Icon | 3/3/1976 | See Source »

...Rostropovich, Ma played the first movement of Antonin Dvorak's cello concerto. The composition is a staple in the relatively scant cello repertoire, and as such is probably as familiar to Rostropovich as the Lord's Prayer is to the Pope. Rostropovich, naturally, has thought a great deal about the work, and his suggestions to Ma about performing it, reflected the more than 20 years he has been performing the concerto...

Author: By Judy Kogan, | Title: From Russia, With Love | 2/25/1976 | See Source »

...particular passage, the portly Rostropovich advised Ma not to give everything he had, for doing so would detract from the importance of the climax. "You have to guard your temperament a little bit," he said to Ma. "If you fall in love with a girl and tell her everything in five minutes that you can tell her...this is not the culmination of all things...

Author: By Judy Kogan, | Title: From Russia, With Love | 2/25/1976 | See Source »

...plays the cello Rostropovich adopts the same manner he uses to captivate a master class audience--animated gesture and colorful language. But with the instrument before him he is more at home, more self-assured, more convincing. "You must be like a conductor when you play," Rostropovich insisted as Ma played in the master class. "You must not be only you." From watching the Russian rehearse with the Dvorak concerto with Boston Symphony a week ago, it was clear that he has taken his own advice to heart...

Author: By Judy Kogan, | Title: From Russia, With Love | 2/25/1976 | See Source »

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