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...Summers’s main supporters in the Faculty, along with Professor Wisse? JR: Well, certainly Professor Mansfield. I don’t know really who else. There are other people, but at the moment what was strange was that at the meeting on Tuesday, those people weren’t present. Maybe it was just too early in the semester, coping with shopping period—that may have been what it was. In any case, nobody got up to defend him at that meeting. But I’m sure there will be supporters...
Although I was initially intrigued by the racial politics, the political points about police brutality fade into cardboard cut-outs behind the main plot of Moore’s weeping, unstable mother. Viewers don’t take it any more seriously than the movie does. And the movie does not give the real issues the weight they deserve...
...circulate on campus beyond the membership of BMF. “Most of black history has been an oral history. We want to document our history in a literate form for everyone to read and enjoy,” Anderson said, reflecting on his aspirations for Remix magazine. The main financial force behind the magazine’s makeover into a 35-page full-scale publication was advertisement sales, which the old Remix lacked. Dean of the College Benedict H. Gross ’71, who stopped by the festivities, said that the administration did not have any part...
...some of the most memorable tunes to grace early consoles, even with a drastically limited palette.With only five channels of sound output, it was clear that lush instrumentation was not going to be the NES' forte. These technical restrictions of the system's sound chips proved to be the main impetus behind the emergence of a unique, musically innovative "Nintendo sound."As a genre, Nintendo music was notable for its ability to circumvent its own apparent limitations, using techniques strangely reminiscent of Baroque-era compositions. Harpsichords, like early pulse-wave synthesizers, don't have a very broad dynamic range...
...Film Archive, any successful art form shakes viewers emotionally. This effect should not be deemed as ghastly or even as a synonym of the much feared “propaganda.” In fact, it is quite the opposite. Drawing from scholarly research by P. M. Taylor, the main difference between art and propaganda is not that hard to spot: the first does not advance any particular course of action to change the status quo. The latter, on the other hand, presents a problem and also the supposedly ideal behavior for audiences to follow...