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...says, gives access “in different ways, and not just in the galleries.”The future expansion into Allston offers a long-term answer to the problem, but HUAM has found a short-term solution in the study rooms located in all three of the main art museums. In those rooms, visitors can request to see any piece of art in the collection, either during open hours or by appointment.“What is really special about the Harvard art museums are the study rooms that are here,” says Susan M. Dackerman...

Author: By Alexandra Hiatt, CRIMSON STAFF WRITER | Title: Treasures Hide In Plain Sight | 3/9/2007 | See Source »

...emphasis here is on getting inventions out to the world, where they can do some good,” Harvard spokesman B. D. Colen said. “It’s not on licensing per se to generate revenues.” One of the main proponents of the white paper said it was drafted in response to several layers of criticism. “Tech licensing has been under attack from two different sides—those who think that the universities have gotten too close to the corporate world...and on the other side you have companies...

Author: By Clifford M. Marks, CRIMSON STAFF WRITER | Title: Schools Set Out Licensing Rules | 3/9/2007 | See Source »

...around the world. While Sen presents a clear thesis and trajectory at the outset of “Identity and Violence,” the individual pieces of Sen’s argument overlap in many chapters and try the patience of the reader. Sen’s main argument is carefully presented and defended throughout the book, but could be just as persuasive at half the length.Nevertheless, the questions that Sen poses are essential if there is to be any progress in combating the senseless and seemingly intractable violence in the world today. As Sen argues at the conclusion...

Author: By Eric M. Sefton, CONTRIBUTING WRITER | Title: TOME RAIDER: Identity and Violence | 3/8/2007 | See Source »

...unique way. In these slyly minimal photographs, Clergue most creatively celebrates the female form, for which the plain rigidity of the inorganic world is a foil. Here, it is the women who are strong, not the city. Also receiving their fair share of attention in the main gallery are Clergue’s semi-abstractions of salt flats, marshes, and coastal areas. The arid earth in “Craquelures de Sel” resembles Aaron Siskind’s peeling posters, and the undulating reflections of reeds in “Roseaux, Le Marais d’Arles?...

Author: By Jeremy S. Singer-vine, CRIMSON STAFF WRITER | Title: Show Reveals Clergue’s Genius | 3/8/2007 | See Source »

...When Japan's chief negotiator told reporters before the talks that the return of the abductees was his "main objective," it was clear the meetings were unlikely to go anywhere. Normally the blame for failure would fall squarely on North Korea's negotiators, who never met a summit they couldn't stall. But this time Pyongyang may have a point. If North Korea really is telling the truth - admittedly, an unusual occurrence - and there are no surviving abductees, there may be little that Pyongyang can do to satisfy Tokyo's demands...

Author: /time Magazine | Title: Japan and North Korea at an Impasse | 3/8/2007 | See Source »

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