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...that the academy is keen to be just a carbon copy of a New England prep school. The campus's Levantine-style white stone buildings - and the tight security at its main gate - remind visitors that they're not in Massachusetts anymore. Arabic-language classes are mandatory, and humanities courses, though though taught in English, draw on the canonical works of many civilizations...

Author: /time Magazine | Title: Can Arab Preppies Save the Middle East? | 10/15/2007 | See Source »

...opening piece, “The Council,” was one of the most successful numbers of the evening. Choreographed by Nathan Andary of Andary Dance, the piece opened with the stunning image of a solitary dancer in the spotlight. The main focus was on the interaction between the soloist, Jun Lee, and the rest of the dancers who formed the “council...

Author: By Rachel M. Green, CRIMSON STAFF WRITER | Title: 'Avec Nous' Not Unified By Poetry | 10/14/2007 | See Source »

...main strategy was to get out and be the team to beat,” Holmquest said. “Every day, we’re making progress towards where we want to be at the end of the year...

Author: By Lucas A. Paul, CONTRIBUTING WRITER | Title: Crimson Dominates Albany Invitational | 10/14/2007 | See Source »

...Mogolov, two active participants in the local Boston theater and improv scene, the play was a mix of intensely personal dramatic monologue and hilarious physical comedy. The show stayed true to its name; like a diptych—two parallel wooden panels connected by a hinge—the main characters’ stories were separate and dissimilar, yet convened on a singular theme of anger that emerged throughout the play. The complexity of that theme lent uncommon depth to its characters, and made “Diptych” a moving exploration of the human condition...

Author: By Denise J. Xu, CONTRIBUTING WRITER | Title: ‘Diptych’ Finds Depth in Duality | 10/14/2007 | See Source »

...have a temper,” main characters Sara (Alterman) and David (Mogolov) both announce in their first lines. In the first scene, Sara immediately erupts into a rant about how she has inherited her explosive rage from her father. David proceeds to describe his own anger, so affected by his indifference towards life that even it is apathetic; the way in which he copes with his temper is to sleep. As the play progresses, the two trade off their storytelling in a series of anecdotes that involves Sara’s hatred of everyone she knows and David?...

Author: By Denise J. Xu, CONTRIBUTING WRITER | Title: ‘Diptych’ Finds Depth in Duality | 10/14/2007 | See Source »

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