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...talent, and reads like a combined football and baseball lineup. The hero, Norman Rockwell, is portrayed by R. H. Booth '27, who is aided in his strenuous role by his pitching experience on last year's championship university baseball team. He is enamoured of one. Mary West, coy maid of the great open spaces, whose charms are subtly interpreted by Howard Whitmore '29, star not only of the stage but also of last year's Freshman team pitching staff...

Author: NO WRITER ATTRIBUTED | Title: LEADERS IN "SHOOT THE WORKS" ARE ANNOUNCED | 1/22/1927 | See Source »

...young-man-from-the-Daily-News's very first assignment. He had been loitering around her hotel all afternoon only to be twice postponed, once by a French maid, now in grandiloquent handwriting. All he wanted to find out was whether or not Chicago's "Our Mary" had ever written an opera. It being his very first assignment he did not know whether "Our Mary's" alleged cold was an operatic brand of applesauce or not. He had heard that no diva ever avoided publicity and as for "Our Mary" being in bed-well, he guessed lots...

Author: /time Magazine | Title: The Press: Cub | 1/10/1927 | See Source »

...then the French maid tripped by. The cub reporter's French was halt, lame and blind, but he could gesticulate. He detained the maid. He scribbled again...

Author: /time Magazine | Title: The Press: Cub | 1/10/1927 | See Source »

...Philadelphia, one George F. Dobbin, contractor, was told by a maid that two gentlemen wished to see him on business. Going to the front door he faced two pistols. The gentlemen told him not to make a noise. While they were going through his pockets Contractor Dobbin's baby toddled into the vestibule. Mr. Dobbin told the baby to go upsairs. "Then," says Mr. Dobbin, "in order not to alarm my wife, I told the men to talk about business. The smaller of the two, who seemed to have a pretty good education, said...

Author: /time Magazine | Title: Miscellany: Jan. 10, 1927 | 1/10/1927 | See Source »

Twelfth Night. An ingeniously designed set of scenery permits a swift running-together of scenes in Eva Le Gallienne's production, thus adding greatly to the buoyancy of the presentation. In other people's productions of Twelfth Night, the complicated fortunes of Viola, the shipwrecked maid, in love with the Duke of Illyria in love with the proud Olivia in love with the shipwrecked maid impersonating her twin brother are too frequently allowed to lag into slow comedy only partially relieved by the Bard's verse. Not so in this case. The cast mercifully interpret light comedy...

Author: /time Magazine | Title: Theatre: New Plays: Jan. 3, 1927 | 1/3/1927 | See Source »

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