Word: maides
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...studio feud. This device worked well recently for Warners', when George Raft and James Cagney were inaccurately rumored to be at each others throats while making Each Dawn I Die, and similar apocryphal stories were circulated about Bette Davis and Miriam Hopkins during production of The Old Maid. Prima Donna Shearer, for purely professional reasons, saw to it that she was billed above rival Prima Donna Crawford, stipulated that her name should be advertised in type half as large as the title and twice as large as that of Lesser Luminary Russell. But if this precaution stirred...
...never got over. Soon Winston had Lion Hunter Marsh lion-hunting in Africa, although he would not trust Marsh with a gun until a wounded rhinoceros charged him (Churchill had shot it while it was sleeping). For days they traveled through the tropical vegetation where Lady Cromer's maid had once asked: "How long, my Lady, must we tarry in this shrubbery?" At Khartoum, Churchill's valet died. Writes Marsh: "I was grateful to him [Churchill] for his confidence in my right feeling when he told me that though it might seem an odd thing to say, he knew...
...Jersey, she was asked to describe their early married life. Said she: "You would like me to say that I cooked every meal for my husband for three years. That would be good campaign material, wouldn't it? But I didn't. . . . We always had a maid...
When Byron died of fever at Missolonghi, he left behind not only his great-lover reputation, but a plain, square, tin box with part of the evidence. In it were three dark red braids contributed by the "Maid of Athens," Theresa Macri and her sisters; a ringlet of Lady Oxford's, and several bundles of adoring letters from women who worshiped Byron, some of whom had never seen him. Most were wildly exclamatory, heavily underlined with pages blotted and blistered with tears. Byron did not answer all the letters. Even those he promised to destroy he kept, since...
...Maid (Warner Bros.) is a drama of anonymous mother love, circa 1861-80, outwardly as dated and dusty as a daguerreotype. To bring Edith Wharton's old-fashioned story to life on Broadway four years ago required the highly finished services of Actresses Judith Anderson and Helen Menken, oldtime Playwright Zoë Akins. To make it live on the screen, Warner Bros, teamed their pop-eyed Bernhardt, Bette Davis, with an equally fiery filly from off the home lot, honey-haired Miriam Hopkins. The result flounces its skirts a little more boldly than the stage show but, like...