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...opener is The Maid as Mistress (La Serva Padrona) by Pergolesi. Originally written for performance between the acts of a grand opera, The Maid has survived as a minor masterpiece while the serious works of the period have been forgotten...

Author: By Stephen Addiss, | Title: Two Comic Operas | 5/18/1956 | See Source »

...only international relations I've had were with the French maid next door," Kelly added...

Author: NO WRITER ATTRIBUTED | Title: Orderly Sanders Theatre Crowd Hears Capp, Kelly | 5/17/1956 | See Source »

...problem. As the result of long discussions at home, the Secretary's wife once got him to publicize milk-dispensing machines to help relieve the dairy-product surplus. Flora Benson attends many of his press conferences, and occasionally finds time from her duties at home (she has no maid, does her own housework) to make a speech. In Toledo last week for a speech at a Republican women's meeting, she said: "I've enjoyed working on a farm with my husband. I've cooked for threshers and we've gone through what the farmers...

Author: /time Magazine | Title: AGRICULTURE: Revolution, Not Revolt | 5/7/1956 | See Source »

Like most of Gilbert's plots, the Mikado is filled with strange twists and stranger characters. There is the wandering minstrel who is actually of the royalty, the old maid with an "irresistable right elbow," the axeman who can't stand the thought of head-chopping, and the bureaucrat who fills most every job in town, including officially checking up on his own corruption. This fellow, the Lord High Everything, is the best of the show, delightfully played by Thomas Whitbread. He is perfectly pompous, and his gift of timing makes even mundane lines amusing...

Author: By Cliff F. Thompson, | Title: The Mikado | 4/20/1956 | See Source »

...across the stage. Marcus' continual body motion and fast pace tend to be a bit too intense, but he is quite funny, and could be even funnier if he would slow down enough to let all the lines come across. His best moments are with the old maid, played by Diana Frothingham, who uses her convincingly expressive face to good advantage. The romantic leads are played by Paul Cawein as the minstrel, and Marietta Perl as his love interest. Both have clear and pleasantly Iyrical, if not always even, voices. The rest of the cast give more than adequate support...

Author: By Cliff F. Thompson, | Title: The Mikado | 4/20/1956 | See Source »

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