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...opening Magnificat by John Taverner was pure and on pitch--a welcome relief from the shakiness common to amateur groups' lead pieces at a concert. The chant that began the Magnificat was perfect simplicity and contrasted strongly with the thick polyphonic texture that followed. Of the eleven sections, the Gloria was superb. One huge melisma on the second syllable of principio seemed to suspend all motion and thought...

Author: By Kenneth Hoffman, | Title: Tudor Church Music | 3/22/1972 | See Source »

...lights for color-TV coverage. In the apse behind the choir hung an enormous ceiling-to-floor tricolor. When Pompidou and his wife entered, the white-robed cathedral choir began a chorale from Bach's St. Matthew Passion. Within an hour, the service ended with a Magnificat. The same anthem had closed the Notre Dame service in which De Gaulle offered a prayer of thanksgiving after his triumphant return to Paris...

Author: /time Magazine | Title: World: A Glimpse of Glory, a Shiver of Grandeur | 11/23/1970 | See Source »

...Surrey woodlands 43 miles south of London, this annual event is directed by Recorder Virtuoso Carl Dolmetsch. The festival is famous for its authentic performances of early music on ancient instruments. The pièce de résistance this year is the first modern performance of a Magnificat for four voices by 16th century Belgian Composer Baudoin Hoyoul...

Author: /time Magazine | Title: Time Listings: Jul. 25, 1969 | 7/25/1969 | See Source »

...than at Christmas. A devout Lutheran who spent much of his life in the service of the church, Bach wrote more than 1,000 works, according to the definitive Bach-Werke-Verzeichnis (BWV) catalogue. Nearly three-quarters of these were intended to be performed at Christian worship-including a Magnificat and 41 Christmas cantatas (plus six more that make up the famed Christmas oratorio). Even in the secularist atmosphere of the 20th century, his music rings with what Toronto Choral Conductor Elmer Iseler calls a positive, "D-major feeling about life." From the evidence of the 1968 holiday season, more...

Author: /time Magazine | Title: A Composer for All Seasons (But Especially for Christmas) | 12/27/1968 | See Source »

...instrumentalists were equally outstanding. The string section was rich and sparkling, with the violins producing elegant duet passages in the Magnificat. The strings contribute warmth, but most of the color came from the wind section, a combination of two oboes, English horn, bassoon, and trombone. Lisa Crawford's organ part was solid, even though her choice of registrations in the hymn made the accompaniment too prominent...

Author: By F. JOHN Adams, | Title: Harvard University Choir | 11/22/1966 | See Source »

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