Word: magic
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Dates: during 1950-1959
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...performance, within the range of Mr. Rabb's interpretation, is carefully etched and compellingly played. Her drunk scene with Mitch towards the end of Act II is excellent. Standing in the middle of a large brass bed, she cries out her soul like an hysterical child, desperately pleading for magic magic, not realism. She can give you the virgin-like innocence of a child one minute and the drunken swagger of a two-bit slut the next. There is a fine Blanche latent here! There are some strang inflections and an unusual clipped speech that often give her voice...
...will not let his two daughters marry suitors he disapproves of. When the old man peers through a telescope at the moon and thinks he spots a bevy of handsomely configured nymphs cavorting about in the near nude, one of his prospective sons-in-law feeds him a magic elixir that, he is told, will transport him to the wonderful moon world. Convinced, when he comes to, that he really is on the moon, he encounters various phony lunar marvels (including a tongue-twisting lunar language with phrases like "Luna lena lino lana lino lunala"). In the end, love conquers...
...American Boy. Chicago-born-as George Clinton Eccles-Terrell was raised by a grandmother (his parents had separated) who gave him his grandfather's name. Struck by theater magic at Chicago's Francis Parker School (recalls Fellow Student Celeste Holm: "He always seemed to be understudying John
...looked with contentment on the Bosnian mountains ringing their valley, gravely discussed public matters. The young men came to sing and joke, to flirt with passing girls or lean dreaming on the parapet. On such soft nights, a man on the bridge felt as if he were on a magic swing: "He swung over the earth and the waters and flew in the skies, yet was firmly and surely linked with the town and his own white house there on the bank with its plum orchard about...
...underlined by some light tracery on a flute. Juliet appears in a white nightgown, sinks on her knees, spreads her elbows on the balcony to support her head, and lets the light catch her soft, blond tresses--all girlishly, but never awkwardly. The rest of the scene is magic. As Easton plays it, he works himself up until he all but shouts, "And thou but love me, let them find me here!" At this instant, like a boy who has just dropped the cookie jar, he fears he may have been overheard and jumps back with a frightened glance over...