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Vehicle jobs, for the Lunts, have a sort of advantage over solider plays: the pair can trot out their whole repertory of tricks, they can be versatile and uninhibited, they can be Lunt & Fontanne. In O Mistress Mine they romp happily up & down the comedy ladder-high comedy and broad comedy, badinage and burlesque-wowing the audience on every rung. If Actress Fontanne is a little too bubbly and gurgly at times, few of the customers seem to mind...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Feb. 4, 1946 | 2/4/1946 | See Source »

Most of O Mistress Mine is about as real-and as valuable-as stage money, but it has a lot of actable scenes am passably agile dialogue. And Playwright Rattigan plainly wrote it for escape. Saic Actor Lunt on opening night, in one o his rare curtain speeches: "If in thi angry, suspicious world we have brough. you an hour or two of laughter, I am very grateful...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Feb. 4, 1946 | 2/4/1946 | See Source »

...Mistress Mine marks the soth time that Lunt & Fontanne have played together on Broadway. Since 1924 they have acted in everything from Dostoevsky to Noel Coward, from high drama to sheer drivel. They have long been the most famous stage couple in the world-and year in, year out, probably the best box office. On the road, even when it had dwindled into a weed-choked path, they have never slipped. A week before O Mistress Mine opened on Broadway, it had a prodigious advance sale...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Feb. 4, 1946 | 2/4/1946 | See Source »

English-born Lynn Lily Louise Fontanne and Wisconsin-born Alfred Lunt, having both trouped for years, met just before each started to get famous. The meeting consisted of Lunt's falling down some steps at rehearsal and sprawling at Fontanne's feet. By 1922, the year they were married, Fontanne had had a great success in Dulcy and Lunt a great one in Clarence...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Feb. 4, 1946 | 2/4/1946 | See Source »

...first teamed up, not to write but to rewrite a new book for Anything Goes, which subsequently became an Ethel Merman smash hit. After two more musicomedy successes, they pined for words without music, set about dramatizing Life With Father. The script aroused so little enthusiasm that Alfred Lunt, Roland Young, Walter Huston all turned down the title role. Lindsay himself finally took the part...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Nov. 26, 1945 | 11/26/1945 | See Source »

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