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Word: lumpenization (lookup in dictionary) (lookup stats)
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...Lumpen told the audience about alleged atrocities and murder attempts by prisoners to gain greater power at the Atmore Prison Farm in Alabama...

Author: By Robert Lunbeck, | Title: Little Calls for Support of Prisoners | 10/31/1975 | See Source »

Little addressed an audience of over 600 at Northeastern University last night after two other former prisoners, Akil, a member of the Attica Now Collective, and Sekou Lumpen, a member of the Atmore-Holman Defense Fund. The event was sponsored by the National Lawyers Guild...

Author: By Robert Lunbeck, | Title: Little Calls for Support of Prisoners | 10/31/1975 | See Source »

Bruce was a stand-up comic, a hipster, born in Long Island but nourished on the street culture of the lumpen bourgeois urban Jewish ghetto. He played the low-life joints and jazz clubs of L.A. and, later, the nightclubs and concert halls of New York, Chicago and San Francisco. For a few years Bruce enjoyed something approaching a mass following among college students and "sophisticated" urban audiences and earned two and three grand a week. He became a liberal and cultural cause cetebre as city police and D.A.s began to dog him and his performances across the country with...

Author: By Willy Forbath, | Title: The Re-Making of Lenny Bruce | 7/5/1974 | See Source »

...have a mistress? Then she must be a pneumatic and witless art groupie (Helen Mirren), daughter of a landed cavalry officer, who does her obligatory nude scene on the staircase of an immense, frigid Adam country house; she must also be a suffragette, which gives Russell much opportunity for lumpen-sexist travesty by having her do a song-and-hop number about votes for women in a nightclub and then, at Gaudier's demand, drop her knickers onstage. Around 1912, the real-life Gaudier was commissioned to do a portrait bust of a Major Smythies, who - considering the time...

Author: /time Magazine | Title: Cinema: Erratic Bust | 11/20/1972 | See Source »

Anti-taste is still an attitude; one can sustain it well or badly. A lot of the work shown here, from Seymour Rosofsky's clumsy paintings to more overtly "aesthetic" objects like Don Baum's lumpen-surrealist assemblages of dolls' limbs or Cosmo Campoli's inert tributes to Brancusi, is a wretched thesaurus of cliches. But subtract them and a deposit of vitality remains...

Author: /time Magazine | Title: Art: Midwestern Eccentrics | 6/12/1972 | See Source »

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