Word: ludlam
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That same night last week, another Manhattan audience gathered for a more poignant celebration. Charles Ludlam, the wondrous star-playwright-designer- director of Greenwich Village's Ridiculous Theatrical Company, had succumbed to AIDS in May, at 44. Now 1,000 of his admirers crammed into the Second Avenue Theater to watch excerpts from his ebullient farces and to pay tribute to the artist whom Playwright William M. Hoffman called "the funniest man in America." Madeline Kahn recalled her college days with Ludlam. Joseph Papp and Geraldine Fitzgerald spoke of his prodigious energy. Finally, Everett Quinton -- Ludlam's colleague...
Hope, pugnacity, desperation. And the entertainer's belief that, against fatal odds, the show must go on. These may be the only emotional weapons an artist can marshal against a disease that has sapped America's artistic community. Star-studded evenings like the Madonna concert and the Ludlam memorial have become depressingly frequent occasions for New York's beau monde. In October, 13 prominent dance companies will appear in Dancing for Life, which should raise $1.5 million for four AIDS groups. In November, Leonard Bernstein, Luciano Pavarotti, Leontyne Price and other luminaries will stage a Carnegie Hall concert to cadge...
...MYSTERY OF IRMA VEP. This perfect travesty raids Jane Eyre, Poe and mummy movies. Everett Quinton and Playwright-Director Charles Ludlam perform all eight roles, some in drag, some simultaneously, with manic precision...
...Charles Ludlam is at it again. His Ridiculous Theatrical Company, the Greenwich Village troupe that on a shoestring has rejuvenated the manly art of comic burlesque, now turns for its inspiration to the penny dreadful, a sensational form of fiction that nourished in Victorian Britain...
...author and director, Ludlam moves the melodrama with ferocious precision; this is high-voltage comedy, not low camp. But it is as an actor that this supernally gifted jacka-napes-of-all-trades shines brightest. All eight roles here (four male, four female) are played by Ludlam and his co-star Everett Quinton, with lightning-quick costume changes and split-personality voice throwing. Quinton as the maid skulks off stage right and 20 seconds later appears at the French doors as Lord Edgar. At the climax, Ludlam's Nicodemus struggles with Ludlam's Lady Enid-a true vaudeville...