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...there were the three real leaders of the Rumanian Communist Party, all able and none of them native Rumanians. The three: Emil Bodnzras (real name Bodnarenko), a Ukrainian from Bessarabia; Laszlo Vasile Luca, a Hungarian from Transylvania; and Ana Pauker, a German-Jewish Communist whose husband was formerly an official of Amtorg (Russian-American Trading Co.) in Manhattan. The brains of Rumania's Communist Party, Comrade Pauker now lives handsomely in her Bucharest villa...

Author: /time Magazine | Title: RUMANIA: Danubian Dithyrambs | 10/7/1946 | See Source »

...dozen of the Metropolitan's once-great singers went to Manhattan's Town Hall last week. Frances Alda, Giovanni Martinelli, Maria Jeritza, Karin Branzell and Elisabeth Rethberg sat in the audience. On stage was the oldest of them all, roly-poly, 69-year-old Giuseppe de Luca, onetime star of the Met's "Golden Age." It was his first Manhattan recital in 29 years. Said De Luca afterward: "Even before I began to sing they make a big ovation. They don't even know can I still sing. They are saying...

Author: /time Magazine | Title: Music: How Do You Do | 3/25/1946 | See Source »

Most of the oldtimers in the audience had sung with De Luca during the 20 years when he was one of the Met's great baritones. With Jeritza, De Luca had sung Carmen, with Alda, La Bohéme, and with Rethberg and Martinelli, Il Trovatore. When the Met's new manager, Edward Johnson, was approved in 1935, he did not renew De Luca's high-salaried contract. Throughout the war, De Luca was in Italy. His 30-room villa was untouched by bombs which flattened the house of his neighbor, Virginio Gayda, Mussolini's press...

Author: /time Magazine | Title: Music: How Do You Do | 3/25/1946 | See Source »

During his first song, Handel's Let Me Weep, Lord!, De Luca wept. So did most of his audience, for the great baritone voice had lost none of its splendor; if anything, it was even more musical...

Author: /time Magazine | Title: Music: How Do You Do | 3/25/1946 | See Source »

...tower, has risen against the horizon as the city's most prominent symbol. Also unaccounted for were Florence's masterly sculptures, including Michelangelo's celebrated marble David, Ghiberti's Gates of Paradise bronze doors to the Baptistery, the Bargello collection of pieces by Michelangelo, Donatello, Luca della Robbia, Benvenuto Cellini. However, while the retreating Germans had destroyed five of the six bridges over the Arno, they had left the oldest and most valued of all, the legendary Ponte Vecchio (see cut). Built in 1345, its roofed street was a promenade for Dante, Galileo and Leonardo...

Author: /time Magazine | Title: Art: The Flowers of Florence | 8/14/1944 | See Source »

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