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Word: lottman (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...Herbert Lottman...

Author: By Melissa R. Hart, | Title: Getting Dragged Down by Too Much Detail | 3/6/1989 | See Source »

However, Herbert Lottman's biography Flaubert never manages to bring out that character. While it hints vaguely, almost unintentionally, at contradiction and complexity in the famous author's life, the biography mires itself in dates and detail to such an extent that the personality it seeks to describe is nearly lost...

Author: By Melissa R. Hart, | Title: Getting Dragged Down by Too Much Detail | 3/6/1989 | See Source »

...element in particular stands out from Lottman's engrossing account of the pre-war years: the Left Bank's love affair with the USSR. Natively, like star-struck high schoolers, a whole generation of writers fell for Stalin's brand of communism. If anything, this affliction recalls the admiration for Hanoi many anti-Vietnam war activists expressed during the 1960's. Like so many Susan Sontags, the Left Bankers would make a pilgrimage to their Mecca--and return full of hope that France too would find...

Author: By Antony J. Blinken, | Title: The Politics of Artists | 4/20/1982 | See Source »

...occupation--changed everything. Political affiliation no longer counted. What mattered was how one reacted to the new masters: collaboration or resistance. And in perhaps the most fascinating and frightening passage of his book. Lottman makes the case that "everybody collaborated...

Author: By Antony J. Blinken, | Title: The Politics of Artists | 4/20/1982 | See Source »

With the 1950s came neutralism, or what Lottman calls "the third way." As the world divided itself between the United States and the Soviet Union, some writers and artists took sides, but many others looked for another way. They found it is a unified, neutral Europe but were soon disappointed--not with their ideal, but with politics in general. France was involved in Southeast Asia and Algeria. Studio's human rights excesses were becoming obvious and the U.S. had Korea. "The guns are speaking, "said writer Merleau-Ponty, "there is nothing left for us to do but remain silent...

Author: By Antony J. Blinken, | Title: The Politics of Artists | 4/20/1982 | See Source »

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