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...definitely don’t think that we should look at this loss as any kind of indication of our capabilities,” said captain Loretta Ann Maludzinski. “We are a team with a ton of talent, ambition, and commitment...

Author: By Abigail M. Baird, CRIMSON STAFF WRITER | Title: Track Finishes Distant Third Behind Cornell, Brown | 2/2/2005 | See Source »

...rock and roll) feel. The disc features omnipresent Silvertone-esque guitars channeled through what sounds like fuzzy vintage Fender Frontman amps. With a couple of exceptions, the songs are written by Golightly herself but sound like they could have come from the likes of Patsy Cline, Hank Williams or Loretta Lynn...

Author: By Michael A. Mohammed, CRIMSON STAFF WRITER | Title: CD Review of the Week - Holly Golightly | 12/17/2004 | See Source »

...reemerged to add chapters to their biographies. In a possible precursor to the apocalypse, a happy and productive Brian Wilson finally finished and released SMiLE, sending shockwaves through critical circles and introducing a new generation to the greatness of the late great sound of ’60s pop. Loretta Lynn’s decision to pair up with Detroiter Jack White spawned the confident, immensely listenable Van Lear Rose, a simple country album without any of the polish—a record replete with first takes, proudly flaunting its loose threads, winning on grit and charisma. The extreme optimist...

Author: By William B. Higgins and Chris A. Kukstis, CRIMSON STAFF WRITERSS | Title: 2004: The Year in Rock | 12/10/2004 | See Source »

Some stay-at-home mothers plan to return to work when their children reach a certain age. Others are thrust into the workplace by financial need. For Going Back to Work: A Survival Guide for Comeback Moms, authors Mary Quigley and Loretta Kaufman surveyed 1,000 women about the transition from mom to wage earner. TIME spoke with them about their findings...

Author: /time Magazine | Title: Conversation: About-Face | 8/30/2004 | See Source »

...music is about popularity; performance is about personality. And an Idol contestant who gets over on charm or a touching story is in good company. Singers have always used biography, real or concocted, to bond with their audience: Robert Johnson selling his soul to the devil, Loretta Lynn growing up a coal miner's daughter. (If only Sid and Nancy had a reality show.) Who a singer is and how he or she lived don't just drive the audience's interest but, at best, inform the performance. In Porgy and Bess, for instance, Clara sings Summertime to her baby...

Author: /time Magazine | Title: Television: The Making Of An Idol | 5/24/2004 | See Source »

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