Word: lords
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Luker as director: Polonaise from "Eugen Onegin", Tachaikovsky Overture to "Phedre", Massenet Waltz, "Girls of Baden", Kamzak Fantasia, "Tales of Hoffman", Offenbach "Finlandia", Sibelius Intermezzo, "Cavelleria Rusticana", Mascagni First Hungarian Rhapsody, Liszt The Huntsman's Farewell, Mendelssohn John Peel (Old English Hunting Song), Andrews Oh Trust in the Lord, (Largo with organ), Handel Boston City Club Glee Club Frank H. Luker, conductor Bacchanale from "Samson and Delilah", Saint-Saens Waltz, "Miner's-Lights", Zeller Entrance of the Guests into the Wartburg. "Tannhauser", Wagner
...Germany has thought that England was disgusted with her allies and that by playing possum for a time, she could tire out the remainder of the Entente. Unfortunately her peace of mind was doomed to be short-lived and has been nipped by a frosty note of censure from Lord Curzon. This cruel message from England is hardly loss curt than the refusal of France and Belgium. It even states that the British will "at a suitable moment, be ready to take part by the side of its allies, with whom they share a practical interest in this question, which...
...rumored that the high German officials are casting about for a figure which might appeal to the British government. They have not far to look not impossible changes to make in their thirty-billion mark offer. not long ago Lord Curzon was reported to have named forty billion gold marks as a starting point for conversations. And already advance notices of a new French statement of a most promising nature are filtering out. It is said that Premier Poincare's new bill will omit pension charges, will not require the Class C bonds unless her allies press their debt charges...
...Moscow Art Theatre's production of Maxim Gorky's "The Lower Depths" than to any other production offered during their Boston engagement. Within the past three years the play has had two professional productions in New York. One of these was the Arthur Hopkins production in which Pauline Lord first attracted considerable attention by her rendition of Nastya. The other was that given by the Yiddish Art Theatre in their theatre in the Bowery, and last spring here in Boston. The American production offered many interesting features, and differed greatly from either the Yiddish of the Moscow performances. Pauline Lord...
...with sympathy, played him so quietly and so humanly that desire for reform became more than understandable, and the sudden forgetfulness of him in the last act seemed all the more tragic. The Nastya of Alla Tarassova was made of less common clay than that of Pauline Lord's. She was a prostitute, she was sunk to the extremities of the life seen in the play, but there was still quality of beauty, and appeal to her. With the Moscow Art Theatre, as one expected, the Luka and the Nastya are but parts in a large and wonderful cast...