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...modern repertory-from Debussy and Stravinsky to Webern and Olivier Messiaen-is untouchable. Next week he will start taking small groups of instrumentalists to Greenwich Village to proselytize among the hip young (TIME, Feb. 22). He also intends to devote two series of programs to the music of Liszt and Berg, both of whom he feels are essential to the understanding of contemporary music. Beyond that, the new director will talk controversially on various subjects, as TIME Music Critic William Bender discovered in an interview last week...

Author: /time Magazine | Title: Music: Who Wants Parsifal in the Morning? | 9/27/1971 | See Source »

Josef Hofmann: Works by Chopin, Liszt, Mendelssohn (Victrola). A superstar born in 1876 to the grand romantic tradition. Hofmann never officially released a commercial studio recording after 1924. In May 1935, however, when he was still at peak form, Hofmann made some test recordings for Victor, now released for the first time. The sound is uneven, but the first movement of Chopin's B-Minor Sonata is a matchless example of the controlled give and take he brought to large-scale works. The Chopin-Liszt Maiden's Wish shows how delicate he could be at painting musical miniatures...

Author: /time Magazine | Title: Music: Old Gold | 3/15/1971 | See Source »

...woolly and wonderful specimen of Germanic post-romanticism that includes a resounding men's chorus in the finale. Following this bent, Ogdon has become one of the exponents of the current romantic revival. That revival has helped bring forth a small anthology of minor works by major composers (Liszt, Scriabin), as well as some ingratiating works by minor composers (Charles-Henry Valentin Alkan, Max Reger). Ogdon, currently engaged in a six-week tour of the U.S. and Canada, is pleasantly matter-of-fact about this special musical taste: "I've always been interested...

Author: /time Magazine | Title: Music: Unromantic Romantic | 2/22/1971 | See Source »

...vanished company of virtuoso pianist-composers. At the close of the 19th and in the early 20th century, the musical type culminated in a series of men who combined powerful and poetic performing styles with highly idiosyncratic ways of writing for the piano-Rachmaninoff as well as Liszt, Busoni and Scriabin. Closer to the present time, the line seems to have ended with Prokofiev and Bartók. All of them, for better or worse, were musicians of originality and vision who made concertgoing fresh and exciting. Though Ogdon has still to make it as a composer, there...

Author: /time Magazine | Title: Music: Unromantic Romantic | 2/22/1971 | See Source »

...these is assistant professor Laurence D. Berman. As one enthusiastic undergraduate said. "He is a fantastic, incredible pianist." Students who took the second half of Music 1 last spring were privileged to hear Berman illustrating his musical ideas at the keyboard. Those in Music 154 remember his playing the Liszt "Vallee d'Obermann" or improvising Chopin etudes. They remember his legendary ability sight-read scores. But those outside the musical community may not be aware of Berman's pianistic abilities since he seems to prefer small and intimate audiences...

Author: By Christine Taylor, | Title: Chopin, Debussy and Berman | 12/11/1970 | See Source »

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