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...pieces require no apology and display a true melodic gift, reminiscent of Schubert and Schumann. Paradoxically, this heroic visionary was most at home in such small-scale works; his more ambitious pieces for two pianos (written in 1871 and '73) owe much in vocabulary and gesture to Liszt and Wagner. But the seams show, and the intended grandeur is painfully strained. On the other hand, a charming violin fantasy anticipates Debussy. And the songs--which were written mostly between 1861 and 1864 (though the moving Prayer to Life dates from 1882) and set to poems by Nietzsche himself, Ruckert, Pushkin...

Author: /time Magazine | Title: THE MELODIES OF NIETZSCHE | 4/24/1995 | See Source »

...both live and studio recordings, were discovered unmarked and unedited in the company's vaults in Holland in 1993 and were released earlier this fall with the imprimatur of the temperamental pianist. The music represents the heart of his repertoire: Bach, Mozart, Beethoven, Brahms, Schumann, Schubert, Haydn, Weber, Chopin, Liszt, Scriabin, Prokofiev and Shostakovich. There is probably no better compendium of Richter...

Author: /time Magazine | Title: MUSIC: A Musician First, a Pianist Second | 12/5/1994 | See Source »

...called "light-headedness," and the program was delayed while a doctor took his blood pressure. Eventually he returned to the stage, sheepishly informing the audience of 14,000 that he felt unable to play the Rachmaninoff concerto, and so substituted a series of solo encores, including a Szymanowski etude, Liszt's arrangement of Schumann's song Widmung, Debussy's La terrasse des audiences du clair de lune and the Chopin C-sharp minor Scherzo. And then he was gone...

Author: /time Magazine | Title: MUSIC: Art & Media: The Reluctant Virtuoso | 7/25/1994 | See Source »

Cabot House Music Society. Pianist David Witten, soprano Catherine Thorpe and pianists Elizabeth Skavish and Kathryn Rosenbach perform works by Liszt, Busoni and Ponze. Cabot House, 5:30 p.m. Free...

Author: NO WRITER ATTRIBUTED | Title: At Harvard Daily Entertainment & Events | 10/14/1993 | See Source »

EARL WILD TOURED WITH, AND THEN REcorded, three synoptic all-Liszt programs, called "The Poet," "The Transcriber," "The Virtuoso" -- three apt descriptions for Wild himself. He's a throwback to the Golden Age pianists, exulting in the sensuality of Romanticism and the vertiginous, almost orchestral possibilities of the piano. Two CDs demonstrate his superb musicianship and rare virtuosity: Chopin: 4 Ballades -- 4 Scherzi and Earl Wild Plays His Transcriptions of Gershwin (Chesky Records). Chopin's works vary widely in mood and tempo, yet Wild sustains the long singing lines that provide their pulse and shape. That singing -- with wit, warmth...

Author: /time Magazine | Title: Short Takes: Apr. 5, 1993 | 4/5/1993 | See Source »

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