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In fact, there isn’t much in the Harry Potter score that we haven’t heard, in a slightly different form, before. With the exception of the bizarre Christmas carol-incantation hybrid “Christmas at Hogwarts,” it’s all...

Author: By Benjamin W. Olson, CONTRIBUTING WRITER | Title: Potter Score is Williams All Over | 11/16/2001 | See Source »

Fleming’s five encores comprised a concert in themselves, beginning with Marietta’s aria from Korngold’s “Die töte Stadt.” In the aria, which Fleming said has been, “much with her in recent...

Author: By Christina B. Rosenberger, CRIMSON STAFF WRITER | Title: Fleming and Thibaudet Soar at Symphony Hall | 11/9/2001 | See Source »

The biggest change is in the voice. Jackson’s voice is immediately recognizable the world over. It is a high-pitched, slightly feminine sound that approaches every note and every line in an incredibly mannered fashion. A forced exhalation and exuberant yell (“Ahh...woo!?...

Author: By Marcus L. Wang, CRIMSON STAFF WRITER | Title: The King of Pop Returns | 11/9/2001 | See Source »

“Cry,” the second single from Invincible, is an R. Kelly number that sounds like a rehash of 1986’s “Man in the Mirror.” Unlike the stirring original, this pale imitation is as rousing as a cup...

Author: By Marcus L. Wang, CRIMSON STAFF WRITER | Title: The King of Pop Returns | 11/9/2001 | See Source »

The fact that the Strokes behave like washed up rock stars despite being at their creative apex leads to a debut album that is energetic, damn catchy and innovative within its paradigm. Casablancas howls about sex, drugs and rock ’n roll in earnest, backed by a motley...

Author: By Thalia S. Field, CRIMSON STAFF WRITER | Title: The Strokes: This is It | 10/19/2001 | See Source »

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