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At the same time, however, the band prove that sticking to a formula, if the method of choice is strong enough, can produce stunning results. And when all is said and done, “Heligoland” subscribes to a pretty good method. Nobody does the bleak soundscapes and...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: Massive Attack | 2/9/2010 | See Source »

From the start of “Zebra,” the first and arguably best track on the record, the music is dreamlike and catchy, holding the listener under its trance of deep, soothing vocals and repetitive but variant beats. Legrand communicates a sad and disappointed air, while refusing...

Author: By Kelsey C. Nowell, CONTRIBUTING WRITER | Title: Beach House | 2/2/2010 | See Source »

The songwriting is so precise that the moaning vocals and the densely layered music complement each other seamlessly. Each song on “Teen Dream” is a painstakingly crafted wonder. When Legrand’s voice rings out on exaggerated vowels, the music follows suit, sweeping the...

Author: By Kelsey C. Nowell, CONTRIBUTING WRITER | Title: Beach House | 2/2/2010 | See Source »

“Contra” is in many ways very similar to the band’s self-titled debut. The opener, “Horchata,” quickly proves that the band is quite content to continue in the same style that first brought them success. The...

Author: By Chris R. Kingston, CRIMSON STAFF WRITER | Title: Vampire Weekend | 2/2/2010 | See Source »

“Prom Queen” is one of the worst examples of Wayne’s lyrics running directly against the musical background. The music is forceful and angry as an electric guitar pounds out a progression identical to that found on the punk-metal band System of...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Lil’ Wayne | 2/2/2010 | See Source »

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