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In varying degrees Evans, 32, inspires the same feeling of apartness in all his fans. At the piano he seems transported, and some of the trancelike visual effect rubs off on the customers. When he hunches his tall, spare frame over the keyboard, as he did last week in Manhattan...

Author: /time Magazine | Title: Music: Singing Piano | 3/2/1962 | See Source »

But in conversation, his style mellows into something more comprehensible, and he puts a listener quite at ease. "Listener" I use advisedly, for Mr. Fuller does indeed like to talk. His talk may be circuitous, verbose and disorganized--it is also seldom anything less than brilliant. He speaks with an...

Author: By Michael S. Gruen, | Title: Buckminster Fuller | 2/27/1962 | See Source »

Everyone from a canorous finch to a detestitute soldier sings on the ride from Venice to Padua, and an extraordinary passenger list it must have been to supply twenty madrigals on a thirty mile trip. Even more extraordinary was the representation that the two women and four men in the...

Author: By Joel E. Cohen, | Title: Sestetto Italiano | 2/13/1962 | See Source »

If Academe has reared music in America, it nurtured the performer, the listener and the musicologist quite apart from each other. Yet now the boundaries are growing fuzzy: Harvard, whose music department has emphasized musical scholarship, draws many quite talented performers, and one can hardly distinguish the future professional from...

Author: By William A. Weber, | Title: Scholars and Performers | 2/10/1962 | See Source »

NATHAN MILSTEIN, 57. another native of Odessa, was a student of famed Hungarian-born Leopold Auer at the St. Petersburg Conservatory, where, recalls Milstein, the young Heifetz was already established as "the Prince of Wales of fiddlers." A post-conservatory concert success in Russia, Milstein left for Paris in 1925...

Author: /time Magazine | Title: Music: The Best Violinists | 2/2/1962 | See Source »

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