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As it happened, this massive absorption of affluent but generally insensitive people into the audiences has coincided with a period of intense impatience with the old musical conventions, and urgent desires for new musical vocabularies. The result has been that the schism between composer and listener, which is an unmistakable...

Author: By Chris Rochester, | Title: The Avant-garde | 2/20/1969 | See Source »

This does not mean that Brown's works are meant to represent specific works of Calder or Pollock. "I am not trying to make the listener hear a mobile or visualize a Pollock painting," Brown explains. "I was inspired by the manner, the process of their way of working...

Author: /time Magazine | Title: Composers: Sculpture in Sound | 1/24/1969 | See Source »

In this respect rock 'n' roll differs from jazz and classical music both of which require that the listener impose a discipline on himself, that he abstract from the music to his own being. These two less starkly structured musical forms involve one's conscious relating to the music and...

Author: By Salahuddin I. Imam, | Title: The Miami Pop Festival: Silver Linings Galore in the Faint Cloud Over Rock | 1/22/1969 | See Source »

And then there was Canned Heat who elicit the same hushed and tense quiet from the audience that Havens does, but by beating it into submission as if through the brute impact of a natural force, sound system bursting, the drums hammering out the rigid boogie beat, guitars searing loud...

Author: By Salahuddin I. Imam, | Title: The Miami Pop Festival: Silver Linings Galore in the Faint Cloud Over Rock | 1/22/1969 | See Source »

"No. I mean, they don't have something to say, like a message. Its not meaningful in an immediate sense the way something like "For What Its Worth" is. I'm moved by the lyrics the same way the lyrics to early Frank Sinatra, or a song like "Somethin Stupid...

Author: By Michael Cohen, | Title: The Who: It's Very Cinematic, You Know | 1/22/1969 | See Source »

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