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Scottie Templeton is one such com pulsive performer. To him, silence is gelding and only two sounds are pleasing: his own voice and his listener's laughter. As the central character, comic relief, raisonneur and raison d'être of Bernard Slade's play Tribute, Scottie kept...

Author: /time Magazine | Title: Cinema: Talk Show | 12/15/1980 | See Source »

FINALLY, THE DADAIST search for a new language, a more effective means of communication, has preoccupied many twentieth-century artists. In post-modern dance, this took the form of introducing ordinary movements and gestures into performance. Some punk music assaults the listener with a directness and intensity, stripped of contrived...

Author: By Lois E. Nesbitt, | Title: Dadadadadadadadadadadadadada | 12/8/1980 | See Source »

"In the streets?" asks a listener, because Beeler has been known to improve on the facts when he is telling a story. "Oh, absolutely," he says. "Skinny little suckers." Things got worse, and finally Beeler took an offer to move East and work as an illustrator. He doesn't...

Author: /time Magazine | Title: In Arizona: A Million Dollar Sale of Cowboy Art | 11/24/1980 | See Source »

Illustrating his lecture with frequent trips to the piano, Rosen first demonstrated the difference between written music and the sound produced when that music is played. Both Bach and Beethoven wrote work in which written notes are inaudible but cause the listener to "imagine the links between notes," he said...

Author: By Sarah Paul, | Title: Rosen Discusses Famous Composers Of 19th Century | 11/13/1980 | See Source »

In a way, that reliance on good people is the only way the President can do his own job well. He has to be a good listener, to be a good analyst of the arguments. And then there is a certain instinctive common sense, good judgment, that is more necessary...

Author: /time Magazine | Title: Nation: Two Ex-Presidents Assess the Job | 11/10/1980 | See Source »

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