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When Mrs. Lillian Frances Richards arrived in Washington two years ago, she hardly knew a soul. But she put up at the fashionable Mayflower Hotel, did a lot of telephoning, a lot of letter writing and a lot of gadding about. Soon she had friends by the score. Among them were Senators, clergymen, lawyers, judges, Army & Navy officers. She called her friends "Honey" or "Dearie." She asked them to call...

Author: /time Magazine | Title: National Affairs: The Teardrops' Yield | 6/2/1947 | See Source »

...dazzling evening gown. Each time after her thin, vibrato-less voice had gone through its intense phrasing of a gaunt little tune like "Good Morning Heartache" the crowd clapped ardently and stamped their feel. Finally she did a simple, stark presentation of "Strange Fruit," which carried more punch than Lillian Smith's novel, and then she disappeared despite her howling admirers. They stamped, and shricked, and ranted, and raved. Finally Louis, anxious to get on with the show, said, "Take it easy, she's just gone out to change her dress," and the crowd quieted down. But she never came...

Author: NO WRITER ATTRIBUTED | Title: Jazz: | 4/21/1947 | See Source »

...LILLIAN H. NOBLE Escondido, Calif...

Author: /time Magazine | Title: Letters: History & a Legacy | 3/31/1947 | See Source »

...pulp-western plot, decked out in flamboyant, operatic finery, is set in late 19th Century Texas. The evil old cattle baron (Lionel Barrymore) lives in a pretty ranch house with his good wife (Lillian Gish), one good son (Joseph Gotten) and one very bad son (Gregory Peck). When the railroad (civilization) tries to encroach on Barrymore's rangeland, all hell breaks loose in the form of rip-roaring gunplay, overheated histrionics, and the tattoo of hoofbeats across gorgeously tinted landscapes...

Author: /time Magazine | Title: The New Pictures, Mar. 17, 1947 | 3/17/1947 | See Source »

After three months largely concerned with gimcracks and revivals, Broadway itself revived last week. On successive nights, three established U.S. playwrights-Maxwell Anderson with Joan of Lorraine, George Kelly with The Fatal Weakness, Lillian Hellman with Another Part of the Forest-brought showers or real rain to parched ground...

Author: /time Magazine | Title: The Theater: Big Week in Manhattan | 12/2/1946 | See Source »

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