Word: likely
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Dates: during 1960-1969
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...assertions are sometimes disturbing. Munich: 396 icons, barbaric gemstones strewn across the velvet sophistications of Orthodox theology. Brussels: three Bruegels newly cleaned to support a reflective commemoration. Amsterdam: 24 matchless Rembrandts, the best from each of 21 collections the world round. Paris: 304 Giacomettis, shyly revealing beneath surfaces textured like used chewing gum, a tender-hearted portraitist...
...humanism and the young's denial-may yet fuse. How? The Paris Biennale offers only the most tantalizing hints. This looks like the beginning of the decade of the art group: from the U.S., from France, from Cuba, Canada, Eastern Europe, well over half the work that the young sent to Paris was created by teams. The other new beginning is a cool fascination with man's urban environment as subject-dream cityscapes, 21st century living and working places, architectural fantasies. But these are suggestive glimpses of the art that is forming toward the turn of the millennium...
...high school connected with a prizefight? The answer goes back to 1968, when San Antonio's parochial schools were in deep financial trouble -like others across the U.S.-and Archbishop Robert Lucey halted all diocesan subsidies for three of the city's twelve Catholic high schools. One of the three schools was located in a wealthy white neighborhood, and it easily survived by raising tuition. Another, situated in a lower-middle-class area, gave up and closed its doors. It is now a warehouse...
Coco is more of a bore than a bomb. Opening night was like a disastrous party. Everyone who was anyone was there, primed for some kind of theatrical night of nights. Dramatically, the champagne was flat, the hors d'oeuvres tasted of sawdust, and the small talk on-and offstage sagged into yawns...
...concept was wrong. The focal point of the fashion business is a dress. In and of itself, a dress is not dramatic. A parade of animated mannequins such as one gets in Coco does not make dresses dramatic either. A group of women milling about onstage always looks rather like a herd, and that is scarcely dramatic...