Word: like
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Dates: during 1970-1979
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...prey to divisiveness, disarray. The Rolling Stones traveled fast, turned gangrenous. The Who kept its distance, stayed strong by staying stubborn, contentious. Buoyed by the great breaking wave of British rock during the '60s, the group managed to swim clear. "We've sometimes been able to hide behind bands like the Beatles and the Stones, who got so much flak," Townshend says. "Yet we were significantly stronger than other contemporaries. Stronger in live performance, for example. And much more daring with material...
...only does The Who's old material sound vital now, the new songs are as powerful as anything the punks or the new wave set down. There are other supergroups, like the Eagles or Fleetwood Mac, who turn out a kind of well-tooled pop that beats The Who in the charts. There are even other hard-rock groups, like Led Zeppelin, that lay down a kind of sugar-lined bombast that can razzle-dazzle the record buyer. The Who's cumulative sales exceed 20 million records. The members' individual wealth?Townshend, Entwistle and Daltrey are all millionaires several times...
...smash up the lot and leave." An additional, sadder change occurred when Keith Moon died of drug overdose at 31; he was replaced on drums by Kenny Jones, 31. The group still puts My Generation across with enough swagger and insinuation to get you giddy or make you feel like you are being stalked down a dark street. When Townshend, 35, called himself "the aging daddy of punk rock," he was not being entirely facetious. Who music can match the tough street impact of punk, especially as Daltrey dishes it out. At 35, he may be one of the oldest...
...remembers. "People shacking up in tents sunk three feet in the mud, no toilets, peace and love. Backstage I had a couple of cups of fruit juice and found out someone had put acid in it. I wanted to kill him." Onstage The Who sliced through the flower power like a chain saw in a daisy garden, played with an intensity that took the show away from such Mallomar bands as the Jefferson Airplane. Abbie Hoffman scrambled up to join the proceedings, and Townshend responded, as he recalled later, by "kicking [his] little ass in a proud rage...
...this, which seems clear in retrospect, got muddled up in the psychedelic Zeitgeist of the waning '60s, and then confounded even further by the buoyantly bonkers ministrations of Director Ken Russell, whose wildly successful 1975 film version of Tommy was like Busby Berkeley on a bummer. By that time, The Who was working on extensions both of Tommy's form and its themes. Quadrophenia (1973) was an even more ambitious, although less flashy, successor, a two-record chronicle of the desperate life and ironic resurrection of a poor London Mod kid in the early '60s. (It has just been released...