Word: lies
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...culmination of the whole trend may lie in NBC's "The Little People," which is contrived to capitalize on nearly every current vogue. It deals with the adventures of a pediatrician (thus getting into the medical bag) who practices with his rebellious daughter (the generation gap) in Hawaii (ethnic tensions) on patients whose problems go beyond mumps to things like mental retardation (controversial topics...
...first hove into view on a "Family" episode last season. The entire Bunker family fell ill and Maude took over the household ? especially Archie ("You can either get up off that couch and eat your breakfast or lie there and feed off your own fat ... and if you choose the latter you can probably lie there for months"). The CBS brass was watching and, in Norman Lear's words, "saw a star." A second episode ? in effect a pilot ? was concocted, in which Archie and Edith visited Maude on the eve of her daughter's wedding...
...only the first shimmering veil in a cosmos vast beyond imagination. Armed with ever more powerful telescopes, these explorers of time and space have learned that the Milky Way is a huge, whirling pinwheel made of 100 billion or more stars; that tens of billions of other galaxies lie beyond its edges; and, most astonishing of all, that these galaxies are rushing headlong away from one another in the aftermath of an explosive cataclysm known as the Big Bang...
...style forged in the devastation of Europe after World War I, a place where every kind of authority, including inherited style, was discredited by the disaster of the trenches. The Modernist response was another battle cry: "Back to zero." Style for its own sake was a lie, like the official rationales for the Great War. What the new age demanded was that the appearance of any building conform to the trusty realities that construction might dictate. Those were usually flat roofs, exposed structural elements and sheet glass--a material loved for its associations with transparency and honesty. Mies called ornament...
...seemingly disparate influences. Many of the songs have a billowing, dreamlike quality to them; images and melodies twirl around in tiny zephyrs of sound. Twisted (Never Again) sounds like echoes from a carnival, with spinning ferris-wheel-like choruses and offbeat funhouse instrumentation. On the bluesy I Can't Lie, Seger lets herself go, howling some of the final lines with a gleeful abandon that evokes a carefree Janis Joplin...