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...ended the Trudeau era is Joe Clark, the little-known leader of the Progressive Conservative Party. At 39, Clark will become Canada's youngest Prime Minister ever and its first Tory leader since John Diefenbaker was defeated by Lester Pearson in 1963. Clark faces the most difficult challenge that has confronted Canada in the 112 years since confederation: reconciling a nation that has never quite come to grips with its divided past...

Author: /time Magazine | Title: CANADA: From Trudeau to Plain Joe | 6/4/1979 | See Source »

...When newly elected Governor Eugene Talmadge died in 1946 before taking office, Fortson kept pretenders to the throne at bay by hiding the state seal under his wheelchair cushion until the succession battle was resolved. In 1968 Fortson again demonstrated his determination by defying the wishes of Segregationist Governor Lester Maddox and lowering state flags to mark the death of Civil Rights Leader Martin Luther King...

Author: /time Magazine | Title: Milestones, Jun. 4, 1979 | 6/4/1979 | See Source »

Saxophonists Roscoe Mitchell and Joseph Jarman, and bassist Malachi Favors were founding members of the AACM; trumpeter Lester Bowie joined when he came to Chicago shortly afterward. These four players became the Art Ensemble of Chicago. The original name was the Roscoe Mitchell Art Ensemble, but the group's musical philosophy was deeply influenced by the collective ideal of the AACM, and when they went to Europe in 1969 they adopted a name that more accurately suggests the active role each member takes in the AEC's music. With the addition of percussionist Don Moye...

Author: By Paul Davison, | Title: 'Great Black Music' Comes of Age | 5/10/1979 | See Source »

...idea to a new technical and artistic plane. The Art Ensemble sound is a fusion of five highly individual and even idiosyncratic stylists; their special achievement is in learning, through years of experimentation, to combine these styles into a coherent music that retains the originality and vitality of each. Lester Bowie is especially startling in his instrumental technique. He finds within his trumpet an astonishing variety of blasts, blares, bleats, and buzzes it was never meant to produce. He exploits the lower ranges of the trumpet as no other player has done, growling, moaning, and even interjecting an occasional raspberry...

Author: By Paul Davison, | Title: 'Great Black Music' Comes of Age | 5/10/1979 | See Source »

WITH COVER STORIES in both Downbeat and Musician and a new album (NiceGuys) on ECM--the label that has successfully promoted the likes of Keith Jarrett and Pat Methaney--the AEC is riding a new crest of public interest and acceptance. But as Lester Bowie comments, there has always been a receptive audience for the group's work, and the size of that audience is of no great consequence. The music which so excites critics today is essentially unchanged since the days when the Art Ensemble played for groups of ten or fifteen devotees back in Chicago. Through years...

Author: By Paul Davison, | Title: 'Great Black Music' Comes of Age | 5/10/1979 | See Source »

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