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...basically to judge his strength of character. Richard Nixon and Hubert Humphrey have at least conveyed a clear choice between quite different styles and attitudes. All the same, both potential Presidents have been disturbingly imprecise even about the major issues of war and race, to say nothing of lesser problems. As a result, their true policies often seem equally vague to many voters. Not that taking hard positions on hard problems is easy; more and more national problems have grown so complicated that solutions stump and split the most informed experts. Moreover, a candidate must simplify such problems...

Author: /time Magazine | Title: Essay: THOSE LITTLE-DISCUSSED CAMPAIGN ISSUES | 10/25/1968 | See Source »

...vote for one of the two as the lesser of two evils and mark it down as a grueling but unavoidable duty? One could vote for Humphrey--were the country still not reeling under the impact of a liberal Democratic Administration, had Humphrey not allied himself in Chicago with the repressive chieftans of of his party, had he not stood against the minority plank on Vietnam, and were he somehow able to throw off the oppressive weight of his own rhetoric...

Author: NO WRITER ATTRIBUTED | Title: No Choice | 10/24/1968 | See Source »

...THEN DOES one vote? Often--as in 1964, when Johnson was a clear choice over Goldwater--the logic of the lesser of two evils has been persuasive. This year another course is indicated...

Author: NO WRITER ATTRIBUTED | Title: No Choice | 10/24/1968 | See Source »

...believed to be a record for the Rose Period. A fauve-period Dufy, Les Trois Ombrellas, was bought by Houston's John Beck for $140,000, double the auction high set for a Dufy only three years ago. But dreary works by Vlaminck, Van Dongen and lesser artists were also bid skyhigh. Still, some paintings failed to meet their reserve price (at which the owner prefers to keep possession rather than sell). Claude Monet's loving yet sharp-focused portrait of his wife, Madame Camille Monet, was pegged at $800,000. When bidding stopped...

Author: /time Magazine | Title: The Market: New Record | 10/18/1968 | See Source »

...suffer from scriptwriters' inability to go beyond a simple extrapolation of the hippie into already familiar contexts: Alice B. Toklas might just as well be called Nichols and May Meet The Flower Children, its frame of reference entirely consisting of semi-improvised Jewish comedy prevalent in Neil Simon and lesser Feiffer. Runaways is structurally a simplistic morality play juggling black-and-white moral quantities with the vengeance of a true confessions magazine...

Author: By Tim Hunter, | Title: I Love You, Alice B. Toklas and The Young Runaways | 10/15/1968 | See Source »

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