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There are many lesser, but intriguing, stories in the book. Haldeman claims the White House taping system was originated so that Nixon could have a check on anyone who might later misrepresent what was said in the Oval Office-and one of his main concerns was Kissinger. Nixon, Haldeman writes, "knew that Henry's view on a particular subject was sometimes subject to change without notice." Nixon did not destroy his tapes because at first he felt he would never have to give them up and later he thought they could be used to discredit John Dean. Haldeman flatly...

Author: /time Magazine | Title: Nation: Much Ado About Haldeman | 2/27/1978 | See Source »

...grief, or lesser than my name...

Author: /time Magazine | Title: The Greatest Is Gone | 2/27/1978 | See Source »

Richard's was easily the largest personal injury award in U.S. history, and experts are certain it will be reduced on review or settled at a lesser amount. While acknowledging the anguish of Grimshaw's injury, Ford asserted that the award is "so unreasonable and unwarranted that it will not be upheld." The 1972 Pinto, added the company, "met all applicable federal safety standards. It was not defective in construction or design...

Author: /time Magazine | Title: Law: Ford's $128.5 Million Headache | 2/20/1978 | See Source »

...children and grandchildren (those paychecks from the National Theatre were piddling sums). Olivier's past accomplishments in drama are legendary. Many people say his true greatness was in the theater, but Olivier has rendered many memorable film performances: Hamlet, Henry, Richard, Othello, Astrov, Strindberg's Captain, and to a lesser, though often equally delightful extent, Heathcliff, Archie Rice in The Entertainer, Graham Weir in Term of Trial and Andrew Wyke in Sleuth. Perhaps, many hope, he will return to the stage someday, if not to undertake a more mature Lear (he did it in '46 at the Old Vic), then...

Author: By David B. Edelstein, | Title: Not the Promis'd End | 2/16/1978 | See Source »

...WHICH BRINGS us to the question of why Monty Python Meets Beyond the Fringe was ever conceived, much less actually released in U.S. cinemas. This movie is nothing more than a filmed recycling of some of the more famous skits staged by the Monty Python group and the lesser-known British group, Beyond the Fringe. If the former lent its name to the film for the sake of giving the latter greater exposure in a more commercial market, that's mighty big of the Monty Python people. But judging from the sloppy direction and arrangement of the skits, this latest...

Author: By Joe Contreras, | Title: Beating a Dead Parrot | 2/11/1978 | See Source »

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