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Marvin's performance is the best in a film full of good actors. He may be playing the hardened sergeant for the umpteenth time but his heart is finally in it. With his rumbling voice, he tosses off dialogue that a lesser actor would choke on. The paternal affection he bears his men never conflicts with his silent passion for killing the enemy and getting through the war alive. Hamill and the others are also nearly perfect--Carradine stands out because he has all the best lines--and Fuller leaves us wishing we knew more about his young heroes...

Author: By David Frankel, | Title: The Fine Art of Survival | 9/15/1980 | See Source »

...some of the pieces, especially a head woven from vine roots with its mouth outlined in dogs' teeth and its scalp matted with human hair, could coexist with a high order of technical skill. What survived the auto-da-fe in greater quantity was decorative art of lesser iconographic content: not gods, but feather robes, bone or whale-tooth ornaments, and the beautifully carved wooden containers, irregular in their polished silkiness, from which the Hawaiians ate their poi, a sort of tropical office paste made of taro roots...

Author: /time Magazine | Title: Art: Chieftains, Flacks and Feathers | 9/15/1980 | See Source »

...determined to be close to power and never too far in front of public opinion. Lippmann was flattered when President-elect Kennedy came calling to ask advice on picking a Secretary of State (when Kennedy would not accept Adlai Stevenson, it was Lippmann who persuaded Stevenson to take the lesser job of U.N. representative). Lyndon Johnson also gave Lippmann what Steel calls "the famous treatment: telephone calls for advice, birthday gifts, private lunches at the White House, invitations to state dinners," until Lippmann turned against the Viet Nam War and was denounced in a petulant Johnson speech. So much...

Author: /time Magazine | Title: NEWSWATCH: Comrade of the Powerful | 9/15/1980 | See Source »

Marvin's performance is the best in a film full of good actors. He may be playing the hardened sergeant for the umpteenth time but his heart is finally in it. With his rumbling voice, he tosses off dialogue that a lesser actor would choke on. The paternal affection he bears his men never conflicts with his silent passion for killing the enemy and getting through the war alive. Hamill and the others are also nearly perfect--Carradine stands out because he has all the best lines--and Fuller leaves us wishing we knew more about his young heroes...

Author: By David Frankel, | Title: The Fine Art of Survival | 9/10/1980 | See Source »

Marvin's performance is the best in a film full of good actors. He may be playing the hardened sergeant for the umpteenth time but his heart is finally in it. With his rumbling voice, he tosses off dialogue that a lesser actor would choke on. The paternal affection he bears his men never conflicts with his silent passion for killing the enemy and getting through the war alive. Hamill and the others are also nearly perfect--Carradine stands out because he has all the best lines--and Fuller leaves us wishing we knew more about his young heroes...

Author: By David Frankel, | Title: The Fine Art of Survival | 9/8/1980 | See Source »

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