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David R. Gammons plays Oberon as a playful pan-sexual creature who puffs on colored cigarettes as he entertains himself with other people's lives. While sometimes, difficult to hear, Gammons is a strong fairy king. But he is less inspired in the lesser role of Theseus, the duke whose impending marriage leads everyone to the forest...

Author: By Ross G. Forman, | Title: A Mid-afternoon Dream at Adams | 5/4/1990 | See Source »

...ready to expand an indictment already laden with charges of racketeering, securities fraud and insider trading. Prosecutors had given Milken until last Friday to settle the case or face the new charges. Under terms of the agreement, Milken is to plead guilty only to securities-fraud violations, which carry lesser prison sentences than his earlier charges...

Author: /time Magazine | Title: Cutting The Deal of His Life: Michael Milken | 4/30/1990 | See Source »

Notably strong is Daniel O'Keefe as the player, who leads an insipid bunch of tragedians who meet Rosencrantz and Guildenstern on the way to Elsinore. Throaty and amusing, O'Keefe's performance almost matches the quality of the protagonists, but his part is a lesser showcase. Still, he imbues the play's discourses on realism with a subtle touch of irony...

Author: By Ross G. Forman, | Title: Rosencrantz and Guildenstern Live On in Leverett House | 4/27/1990 | See Source »

...only fair solution is to judge student groups solely on their potential to draw crowds. While this standard may not be the most democratic--as it would exclude smaller and lesser-known groups from the large performance halls--it is certainly the most practical...

Author: By Mark J. Sneider, | Title: Problematic Solution | 4/25/1990 | See Source »

That nervy economy of means is the trademark of Andrew Lloyd Webber, who assumes -- correctly, to judge from box-office receipts -- that theatergoing adults take delight in hearing a catchy tune repeated as often as Top 40 songs on teenybopper radio stations. In lesser hands (for that matter, in his own earlier shows), this repetition can suggest paucity of imagination or a kind of melodic stinginess. But in Aspects of Love, the London hit that opens on Broadway this week, the technique works: the tunes bear repeating, and the repetition binds a diffuse story of mostly misguided romance. The impact...

Author: /time Magazine | Title: Theater: Romance, Mostly Misguided | 4/16/1990 | See Source »

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