Search Details

Word: length (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Jumping out quickly is exactly what Corriero set out to do and did. With just under five minutes gone by in the first period, she gained possession of the puck near Harvard’s own blueline and took it down the length of the ice by herself, racing down the right side before beating Barrie with a backhanded shot...

Author: By John R. Hein, CRIMSON STAFF WRITER | Title: A Saintly Figure: W. Hockey’s Corriero A Cut Above | 2/24/2004 | See Source »

...limiting ourselves too sharply. But monomania itself is often self-checking; exposed to something for long enough, we often tire of it. I knew, for instance, that I needed to stop listening to The Who when I quoted “Going Mobile” at length on an English final; other people burn out after long semesters spent in dance studios or in front of computer screens or rehearsing...

Author: By Phoebe Kosman, | Title: Spreading Ourselves Too Thick | 2/23/2004 | See Source »

Harvard paid special attention to Force, the player who shocked the Crimson in the teams’ previous match-up by driving the length of the floor and tying the game with under one second left on the clock...

Author: By J. PATRICK Coyne, CRIMSON STAFF WRITER | Title: W. Hoops Tops Cornell to Complete Weekend Sweep | 2/23/2004 | See Source »

...grown more concerned with controlling his chaos on record. In order to achieve the “epic” sound he and Abilities wanted on E and A (as opposed to the late-night pensiveness of past records), they emphasized crescendos and traded, so to speak, verbal length for sonic depth...

Author: By Alex L. Pasternack, CRIMSON STAFF WRITER | Title: Eyedea Rebuilds Underground Hip-hop from the Beat Up | 2/20/2004 | See Source »

John Vanderslice sums up his musical range in just the first three songs of his latest full-length, and it goes something like this: melodramatically driven fuzzed-out faux-blues, electronic melodramatic pounding and piano ballads (melodramatic). On Cellar Door, Vanderslice combines and recombines these elements to find distinct directions for his sad-sack male songwriter’s backing band to explore. The result is meticulously beautiful. But over each unique instrumental backdrop comes that same mono-stylistic voice that Vanderslice can’t seem to outgrow. His intensely sincere, melodic moan pushes already overwrought lyrics...

Author: NO WRITER ATTRIBUTED | Title: NEWMUSIC | 2/13/2004 | See Source »

First | Previous | 264 | 265 | 266 | 267 | 268 | 269 | 270 | 271 | 272 | 273 | 274 | 275 | 276 | 277 | 278 | 279 | 280 | 281 | 282 | 283 | 284 | Next | Last