Word: left
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Dates: during 1990-1999
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Fisher then apparently left the scene for a while. He returned a short time later to see Glover at the sink. "'I got some blood on your bat--help me clean it,'" Fisher quoted Glover as saying. "How'd you get blood on your bat?" Fisher asked. "I hit Winchell with it," Glover allegedly replied. The pair went outside to check on Winchell. The cot, the nearby walls and Winchell's blanket were all splashed in crimson. Glover slipped a gloved hand underneath Winchell's battered head. "Yeah," he said. "He's done." Nasty began barking loudly. Glover fled...
Anita dug her fingers into her eyes to stop the shower of sparks. Several years earlier, when she had felt the same welling rage, a wallop left welts on her oldest daughter's arm. So this time Anita retreated, picked up the phone and called for help. And the calming voice at the other end of the line almost broke her in half. Anita, an imperfect parent like most, wept tears of sorrow and relief...
...course, it's these guys' jobs to shoot at each other. Now that coding for the PC version of Quake III is finished--it wrapped up at 4:30 a.m. on Thanksgiving day--all that's left is tweaking for Mac and Linux versions, and plenty of play testing. Last week the only thing you could hear in Suite 666 was resounding cries of "Dammit, get out of the way!" and "I've picked up the shotgun. I'll cover you!" Carmack, described reverentially by a team member as "an evil genius," is not playing. He's already hard...
That request left Mann "beyond not interested." To get out of her contract, she had to buy back her own master tapes. "I had had it," she explains. "Now I understand what Prince went though. I was ready to cheerfully quit the business forever." Fortunately, this is when Paul Thomas Anderson stepped in. While writing the script for Magnolia, Anderson heard a tape of some of Mann's new songs and liked them so much he began building characters around them. Claudia, the lonely cokehead played by Melora Walters, was inspired by the song Deathly. "Everything [Aimee] seemed...
...universe, imagine, if you would, crossing Kurt Cobain with Emily Dickinson. Their offspring--literate, bitingly introspective, deeply contemptuous of money and fame--would be a lot like Aimee Mann. Because of hard luck and an incurable case of artistic independence, the gifted Los Angeles folk-pop soloist has been left untouched by the wave of acclaim that buoyed Jewel, Tori Amos and the Lilith crowd...