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Word: leatherizing (lookup in dictionary) (lookup stats)
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...cops up there, with dogs." The cops stood silently at the sides, not in front of Buckingham Palace. Uncertain of the marchers' intentions and destination, they watched and waited. The Cambridge police wore soft blue hats and badges. The Tactical Cops carried riot batons, and wore black leather jackets with two white holes where their badges were usually pinned...

Author: NO WRITER ATTRIBUTED | Title: The Word From the Soundtruck Was 'Go All the Way to Harvard Square' | 4/20/1970 | See Source »

...carpeted lavatory, and a "First Lady's Room" have been fashioned from the mansion's living quarters. There is also a meeting room for "the President's staff." The second floor is more resplendent. It contains a "Founders and Trustees Room" with real books-mainly decorative leather-bound volumes bought by Dormann...

Author: /time Magazine | Title: Organizations: The Presidential Caper | 4/13/1970 | See Source »

Cubed Nude. Figure sculpture comes in a variety of formats. Full-length photographs were mounted on all four sides of a slab-shaped Styrofoam dummy to create Dale Quarterman's portrait of a leather-jacketed girl. From the back and sides, the girl is whole and clothed, but the dummy is cut out in front to reveal her in successively diminishing images, one within the other. In the last and smallest, she is completely nude. New Yorker Lyn Wells has made a life-size portrait of a neighbor by printing back and front views on sensitized linen, sewing...

Author: /time Magazine | Title: Art: New Dimensions | 4/13/1970 | See Source »

...second floor of the Harvard CRIMSON. A young, liberal member of the Harvard Corporation is sitting on a broken, green leather chair, stuffing falling out all over. A dozen reporters watch eagerly with notebooks...

Author: By Gary Snyder, | Title: Stay in the Streets: Why | 4/13/1970 | See Source »

...wonder is that a few emerge unscathed. Director Sidney Furie (The Leather Boys, The Ipcress File) uses film gimcracks that have become pure convention: oblique camera angles, elliptical scene shifts, blinding lights to denote oppressive authority. Still, he maintains an even pace that helps tone down the film's giddy aspirations. As Petrocelli, Newcomer Barry Newman must cope with the staggering improbability of the lawyer's very presence in the town. But he approaches the role with cheerful pugnacity instead of that air of insufferable concern that overlays most screen lawyers. The master craftsman in this melange, though...

Author: /time Magazine | Title: Cinema: Magnificent Pretensions | 3/23/1970 | See Source »

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