Word: laughingly
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...Arbatov's discussion of human rights is pure rhetoric. When he states, for example, that the USSR has "a deep and long standing commitment to human rights" and adds that "it's for human rights that we made our revolution," the reader is tempted above all else to Laugh Rarely is there a defense of the utter lack of freedom of speech, movement and religious practice in the USSR. When such questions do arise. Arbatov either shifts the discussion to human rights "abuses" in the West or sidesteps the issue altogether. As for Oltmans he never sees...
...going too far. It should always be on the brink of disaster. Otherwise, it's pap, and who cares? It's boring. Then you become the grand old lady. The audience will make a subject sacrosanct anyway. Death, for example. They just don't want to laugh about death. I think we should. When my mother died, I kept going by doing joke after joke. I get rid of things through very black humor. I have a wonderful Karen Carpenter joke: 'I have no pity for anyone who becomes thin enough to get buried in pleats...
SOME OF US, the sensible ones, never doubted that Monty Python had an inside line on the meaning of life. Then again some of us run out of tingers when we try to count the number of times we saw Monty Python and the Holy Grail. Some of us laugh at just about every muscle twitch in John Cleese face. We even snicker at the very approximate "John Cleese imitation" attempted by his cohorts Michael Palen and Terry Jones (Palin sat on Jones's shoulders) before a screening last week of the troupe's latest cinematic venture...
...film is not as endearing as last year's film version of Hinton's Tex, the story of a pair of abandoned Oklahoma brothers who provide both support and tension for each other. But it similarly possesses vivid characters developed almost physical professor, the grimmer most abased with his laugh guy role and best at playing it. Both Machio and Howell effectively display the repulsive and magnetic ethos of being one of the boys...
...your stoop with six months to live and $687,000 in cash to buy his way back into your affections. This latest in Neil Simon's fantasies of generation-gap bridgework runs mainly on charm, not on the bile and bathos that fueled Only When I Laugh and I Ought to Be in Pictures. Jason Robards, the errant father, is as resourcefully genial as a Damon Runyon Santa Claus; Donald Sutherland keeps his dimples flexed playing a policeman who demonstrates his love of literature by misquoting the opening line of Joyce's Ulysses; even veteran Simonizers Marsha Mason...